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J. Belton, Can Hitchcock Be Saved From Hitchcock Studies?, Cineaste, vol. 28, p. 16, 2003.
M. Lefebvre and Furstenau, M., Digital Editing and Montage: the Vanishing Celluloid and Beyond, Cinémas : revue d'études cinématographiques = journal of film studies, vol. 13, pp. 69-107, 2003.
L. P. Gross, Katz, J. S., and Ruby, J., Image Ethics in the Digital Age. Minneapolis, MN: University of Minnesota Press, 2003.
S. Cohen, An Innocent Eye: The 'Pictorial Turn', Film Studies, and History, History of Education Quarterly, pp. 250-261, 2003.
A. de Baecque, La cinéphilie : invention d'un regard, histoire d'une culture, 1944-1968. Paris: Fayard, 2003, p. 404.
R. Maule, The Multiple Commitment of the Film Author, in Il film e i suoi multipli : IX Convegno internazionale di studi sul cinema = Film and its multiples : IX International Film Studies Conference, University of Udine, A. Antonini Udine: Forum, 2003, pp. 241-250.
C. R. Acland, Screen Traffic : Movies, Multiplexes, and Global Culture. Durham: Duke University Press, 2003.
F. Manchel, What Does It Mean, Mr. Holmes? An Approach to Film Study, Literature Film Quarterly, vol. 31, pp. 69-89, 2003.
T. Gunning, The Work of Film Analysis: Systems, Fragmens, Alternation, Semiotica, vol. 144, pp. 343-357, 2003.
F. Wasser, American Film Studies Today, Journal of Communication, vol. 52, p. 459, 2002.
K. Askari, Cinema as 'Vernacular Modernism'; Conference, University of Chicago, 18 May 2002, Screen, vol. 43, pp. 432-7, 2002.
A. Hoffman, Cinematic Political Thought [by Michael Shapiro] (book review), Film Quarterly, vol. 56, pp. 49-50, 2002.
C. Platinga, Cognitive Film Theory: An Insider's Appraisal, Cinémas : revue d'études cinématographiques = journal of film studies, vol. 12, pp. 15-37, 2002.
J. Aumont and Marie, M., Dictionnaire théorique et critique du cinéma. Paris: Nathan/Vuef, 2002, p. 245.
T. Modleski, On the Existence of Women: A Brief History of the Relation Between Women's Studies and Film Studies, Women's Studies Quarterly, vol. 30, pp. 15-25, 2002.
K. L. Stoehr, Film and Knowledge : Essays on the Integration of Images and Ideas, 2002.
L. Cartwright, Film and the Digital in Visual Studies: Film Studies in the Era of Convergence, Journal of Visual Culture, vol. 1, pp. 7-23, 2002.
C. Columpar, The Gaze as Theoretical Touchstone: The Intersection of Film Studies, Feminist Theory, and Postcolonial Theory, Women's Studies Quarterly, vol. 30, pp. 25-44, 2002.
R. A. Brookey and Westerfelhaus, R., Hiding Homoeroticism in Plain View: The Fight Club DVD as Digital Closet, Critical Studies in Media Communication, vol. 19, pp. 21-43, 2002.