Biblio

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2000
L. R. Williams, American Cinema and Hollywood: Critical Approaches / Film Studies: Critical Approches / World Cinema: Critical Approaches, Sight and Sound, vol. 10, p. 32, 2000.
J. P. Telotte, Annual Bibliography of Film Studies - 1999, Post Script, vol. 19, pp. 67-96, 2000.
C. Murcia, Vanoye, F., and Bächler, O., Cinéma et audio-visuel : nouvelles images, approches nouvelles : actes du colloque organisé par l'A.F.E.C.C.A.V. (Association française des enseignants et chercheurs en cinéma et audio-visuel), Cluny, 24, 25, 26 septembre 1998. Paris: Harmattan, 2000, p. 275.
S. Hayward, Cinema Studies : The Key Concepts, 2ndnd ed. London; New York: Routledge, 2000.
W. Buckland, The Cognitive Semiotics of Film. Cambridge ; New York: Cambridge University Press, 2000.
R. Currie, Connecting Film/Media Studies to Student Experiences, Cinema Journal, vol. 39, pp. 81-83, 2000.
R. Bates, Connecting to Film History Through Writing, Cinema Journal, vol. 39, pp. 83-88, 2000.
M. - A. Guérin and Chauvin, J. - S., Des DVD dans 15 000 établissements, Cahiers du cinéma, p. 14, 2000.
J. - S. Chauvin, Éducation: Jack Lang prépare l'entrée du cinéma à l'école primaire, Cahiers du cinéma, pp. 12-13, 15-16, 2000.
R. Stam and Miller, T., Film and Theory : An Anthology, p. 862, 2000.
T. Miller and Stam, R., Film and Theory : An Anthology, 2000.
J. Hill, Gibson, P. C., Dyer, R., Kaplan, A. E., and Willemen, P., Film Studies : Critical Approaches, 2000.
S. Blandford, Grant, B. K., and Hillier, J., The Film Studies Dictionary. London: Arnold, 2000.
J. Hollows, Jancovich, M., and Hutchings, P., The Film Studies Reader, 2000.
R. Stam, Film Theory : An Introduction. Malden, Mass: Blackwell, 2000.
T. Waugh, The Fruit Machine : Twenty Years of Writings on Queer Cinema. Durham, N.C.: Duke University Press, 2000, p. 312.
V. Pravadelli, I cultural studies: testo filmico, contesto della ricezione e spettatore, Bianco e Nero, vol. 41, pp. 83-94, 2000.
P. Decherney, Inventing Film Study and Its Object at Columbia University, 1915-1938, Film History, vol. 12, pp. 443-461, 2000.
P. Olmeta, La Cinémathèque française de 1936 à nos jours. Paris: CNRS éditions, 2000, p. 238.
C. Tesson, La fin de la méfiance, Cahiers du cinéma, p. 17, 2000.
R. Vasudevan, Making Meaning in Indian Cinema. New Delhi ; New York: Oxford University Press, 2000, p. 317.
R. B. Ray, Mystery Trains, Sight and Sound, vol. 10, pp. 12-13, 2000.
J. Staiger, Perverse Spectators : The Practices of Film Reception. New York: New York University Press, 2000.
W. Rothman and Keane, M., Reading Cavell's The World Viewed : A Philosophical Perspective on Film. Detroit: Wayne State University Press, 2000, p. 294.

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