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W. Benjamin and Tiedemann, R., The Arcades Project. Cambridge, Mass.: Belknap Press of Harvard University Press, 1999.
M. J. Shapiro, Cinematic Political Thought : Narrating Race, Nation, and Gender. New York: New York University Press, 1999, p. 176.
E. Bishop, Cinema-(to)-graphy : Film and Writing in Contemporary Composition Courses. Portsmouth, NH: Boynton/Cook Publishers, 1999, p. 183.
C. MacCabe, The Eloquence of the Vulgar : Language, Cinema, and the Politics of Culture. London: BFI Publishing, 1999.
C. Russell, Experimental Ethnography : The Work of Film in the Age of Video. Durham, N.C.: Duke University Press, 1999.
G. Turner, Film as Social Practice, 4thth ed. New York: Routledge, 1999.
J. Marchessault and Petric, G., The Film Studies Association of Canada, Post Script, vol. 18, pp. 85-86, 1999.
L. Braudy, Cohen, M., and Mast, G., Film Theory and Criticism : Introductory Readings, 5thth ed. New York: Oxford University Press, 1999.
V. Shetley, Film Theory: Shifting Paradigms and Material Ghosts, College English, vol. 61, pp. 475-485, 1999.
J. Nelmes, An Introduction to Film Studies, 2ndnd ed. New York: Routledge, 1999, p. 522.
C. Gauthier, La passion du cinéma: cinéphiles, ciné-clubs et salles spécialisées à Paris de 1920 à 1929. Paris: Association française de recherche sur l'histoire du cinéma: École des Chartes, 1999.
B. Augst and OConnor, B., No Longer a Shot in the Dark: Engineering a Robust Environment for Film Study, Computers and the Humanities, vol. 33, pp. 345-363, 1999.
M. Temple, The Nutty Professor: Teaching Film with Jean-Luc Godard, Screen, vol. 50, pp. 323-330, 1999.
B. Cardullo, Practical Film Criticism : An Enlightened Approach to Moviegoing. Lewiston, N.Y.: Edwin Mellen Press, 1999.
F. Casetti, Theories of Cinema, 1945-1995, 1stst ed. Austin: University of Texas Press, 1999.