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J. Mitry, The Aesthetics and Psychology of the Cinema. Bloomington: Indiana University Press, 1997, p. 403.
C. Koch, Cinema, Discourse, and Event, Journal of the University Film & Video Association, vol. 32, pp. 79-84, 1997.
J. Peterson and Stewart, J., Cinema Studies in the Age of Global Media, University of Chicago, 13 April 1996, Screen, vol. 38, pp. 195-199, 1997.
G. Kouvaros, On Dangerous Ground: Film Studies in Australia, Screen, vol. 38, pp. 76-81, 1997.
M. Landy, Film and English/American Studies: What are We Doing in an English Department?, Critical Quarterly, pp. 42-50, 1997.
K. Kelly and Edgar, T., Film School Confidential : The Insider's Guide to Film Schools, 1stst ed. New York: Berkeley Publishing Group, 1997, p. 260.
A. Helman and Osadnik, W. M., Film Studies in Post-War Poland: Tradition and Innovation, Canadian Slavonic Papers, vol. 39, pp. 123-137, 1997.
J. Maingard, Film Studies in South Africa, Screen, vol. 38, pp. 190-191, 1997.
H. C. Williams, Film Studies on the Internet, Choice, pp. 56-58, 1997.
R. Allen and Smith, M., Film Theory and Philosophy, p. 474, 1997.
M. Smith, Film Theory Meets Analytic Philosophy; or, Film Studies and l'Affaire Sokal, Institute for Cognitive Studies in Film and Video Electronic Newsletter, vol. 3, 1997.
G. Currie, The Film Theory That Never Was, in Film Theory and Philosophy, M. Allen, Richard; Smith Oxford: Clarendon Press, 1997, pp. 42-59.
G. Perez, Films, The Material Ghost, Raritan, pp. 106-126, 1997.
M. J. Valdés, Hermeneutics of Poetic Sense : Critical Studies of Literature, Cinema, and Cultural History. Toronto: University of Toronto Press, 1997, p. 169.
D. Bordwell, On the History of Film Style. Cambridge, Mass.: Harvard University Press, 1997.
S. Prince, Movies and Meaning : An Introduction to Film. Boston: Allyn and Bacon, 1997.
P. Lehman, Pluralism Versus The Correct Position, Cinema Journal, pp. 114-119, 1997.
J. Müller, Proceedings of the Conference of Film Pragmatics. Amsterdam, March 1992, 1997.
M. Lefebvre, Psycho: de la figure au musée imaginaire: Théorie et pratique de l'acte de spectature. Montreal: Harmattan, 1997, p. 253.
J. Olsson, Remapping: Another Look at Cinema Studies in Sweden, Screen, vol. 38, pp. 191-195, 1997.