Biblio

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1997
E. Branigan, Sound, Epistemology, Film, in Film Theory and Philosophy, M. Allen, Richard; Smith Oxford: Clarendon Press, 1997, pp. 95-125.
J. - M. Welsh, State of the Art - 25 Years Later, Literature Film Quarterly, vol. 25, pp. 2-6, 1997.
S. Mamber, Teaching Digital Media, Cinema Journal, pp. 117-122, 1997.
1996
J. P. Telotte, Annual Bibliography of Film Studies - 1995, Post Script, vol. 15, pp. 54-84, 1996.
S. E. Toulmin and Gustavsen, B., Beyond Theory : Changing Organizations Through Participation. Philadelphia, PA: John Benjamins Pub., 1996.
J. Anderson and Anderson, B., The Case for an Ecological Metatheory, in Post-Theory: Reconstructing Film Studies, N. Bordwell, David; Carroll Madison: University of Wisconsin Press, 1996, pp. 347-367.
F. Ginsburg and Miller, T., Certifying Culture and Media: Anthropology Meets Cinema Studies, Media International Australia, pp. 66-72, 1996.
D. Bordwell, Contemporary Film Studies and the Vicissitudes of Grand Theory, in Post-Theory: Reconstructing Film Studies, N. Bordwell, David; Carroll Madison: University of Wisconsin Press, 1996, pp. 3-36.
D. Bordwell and Carroll, N., Post-theory : Reconstructing Film Studies. Madison: University of Wisconsin Press, 1996, p. 564.
J. Aumont, Pour un cinéma comparé: influences et répétitions, p. 422, 1996.
N. Carroll, Prospects for Film Theory: A Personal Assessment, in Post-Theory: Reconstructing Film Studies, N. Bordwell, David; Carroll Madison: University of Wisconsin Press, 1996.
S. Prince, Psychoanalytic Film Theory and the Problem of the Missing Spectator, in Post-Theory: Reconstructing Film Studies, N. Bordwell, David; Carroll Madison: University of Wisconsin Press, 1996.
D. Harries, The Semi-Semiotics of Film: Social Semiotic Methodology for Film Studies, Film Criticism, pp. 39-54, 1996.
T. Reed and Thompson, R. J., The Six-Gun Simulacrum: New Metaphors for an Old Genre, Film Criticism, vol. 20, pp. 52-70, 1996.
P. J. Smith, Teacher's Pet Hates, Sight and Sound, vol. 6, pp. 32-33, 1996.
N. Carroll, Theorizing the Moving Image. New York: Cambridge University Press, 1996.
1995
J. P. Telotte, Annual Bibliography of Film Studies - 1994, Post Script, vol. 14, pp. 51-74, 1995.
R. Pithon, Cinéma et Histoire: Bilan historiographique, Vingtième siècle, pp. 5-13, 1995.
V. W. Wexman, Evaluating the Text: Canon Formation and Screen Scholarship, Cinema Journal, vol. 24, pp. 62-65, 1995.
G. Black, Film History and Film Archives, Literature Film Quarterly, vol. 23, pp. 102-109, 1995.
R. Vasudevan, Film Studies, the New Cultural History and the Experience of Modernity. New Delhi: Centre for Contemporary Studies, Nehru Memorial Museum and Library, 1995.
J. M. Culkin, Film Study in the High School. Bronx, N.Y.: Fordham Film Study Center Fordham University, 1995.
G. Currie, Image and Mind : Film, Philosophy and Cognitive Science. Cambridge, England; New York, NY: Cambridge University Press, 1995.
G. Currie, Imagination and Simulation: Aesthetics Meets Cognitive Science, in Mental Simulation, M. Allen, Richard; Smith Oxford, UK; Cambridge, Mass.: Blackwell, 1995.
L. Roth and others, L'art et la manière enfants à la caméra, Cahiers du cinéma, pp. 68-77, 1995.

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