Biblio

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1993
S. Prince, The Discourse of Pictures: Iconicity and Film Studies, Film Quarterly, vol. 47, pp. 16-28, 1993.
C. MacCabe, On the Eloquence of the Vulgar: A Justification of the Study of Film and Television. London: BFI, 1993, p. 32.
R. B. Ray, Film Studies / Crisis / Experimentation, Film Criticism, vol. 17, pp. 56-78, 1993.
W. Straw, Film Studies in Canada, Screen, vol. 34, pp. 176-177, 1993.
T. Elsaesser, Film Studies in Search of the Object, Film Criticism, vol. 42, pp. 40-47, 1993.
R. Altman, Film Studies, Inc.: Lessons from the Past About the Current Institutionalization of Film Studies, Film Criticism, vol. 42, pp. 22-30, 1993.
C. Platinga, Film Theory and Aesthetics: Notes on a Schism, Journal of Aesthetics and Art Criticism, vol. 51, pp. 445-454, 1993.
L. Michaels and others, Interpretation, Inc., Film Criticism, vol. 42, pp. 1-120, 1993.
D. A. Cook, Making Sense, Film Criticism, vol. 17, pp. 31-39, 1993.
W. Dissanayake, Melodrama and Asian cinema. Cambridge ; New York: Cambridge University Press, 1993.
E. Callenbach, [no title], Film Quarterly, vol. 46, pp. 62-63, 1993.
W. Rothman, Overview: What is American about Film Study in America?, in Melodrama and Asian Cinema, W. Dissanayake Cambridge; New York: Cambridge University Press, 1993.
J. Valkola, Perceiving the Visual in Cinema: Semantic Approaches to Film Form and Meaning. Jyväskylä: Jyväskylän Yliopisto, 1993.
J. Stacey, Textual Obsessions: Methodology, History and Researching Female Spectatorship, Screen, vol. 34, pp. 260-274, 1993.
1992
J. P. Telotte, Annual Bibliography of Film Studies - 1991, Post Script, vol. 11, pp. 53-80, 1992.
N. Carroll, Cognitivism, Contemporary Film Theory and Method, Journal of Dramatic Theory and Criticism, vol. 6, pp. 199-219, 1992.
M. Lagny, De l'histoire du cinéma : méthode historique et histoire du cinéma. Paris: Armand Colin, 1992, p. 298.
C. S. Peirce, The Essential Peirce : Selected Philosophical Writings. Bloomington: University of Indiana Press, 1992.
K. Akey, Film Study - The Mind's Eye, School Library Journal, vol. 38, p. 54, 1992.
G. Mast, Cohen, M., and Braudy, L., Film Theory and Criticism : Introductory Readings, 1992.
T. E. Valasek, Frameworks : An Introduction to Film Studies. Dubuque, IA: Wm. C. Brown, 1992.
R. E. Kapsis, Hitchcock : The Making of a Reputation. Chicago: University of Chicago Press, 1992.
J. Staiger, Interpreting Films : Studies in the Historical Reception of American Cinema. Princeton, N.J.: Princeton University Press, 1992.
E. Branigan, Narrative Comprehension and Film. London; New York: Routledge, 1992.
W. V. Costanzo, Reading the Movies : Twelve Great Films on Video and How to Teach Them. Urbana, Ill.: National Council of Teachers of English, 1992.

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