@book { 550,
title = {Screen Education : From film appreciation to media studies},
year = {2009},
pages = {384},
publisher = {Intellect},
address = {Bristol},
abstract = {Film and media studies now attract large numbers of students in
schools, colleges and universities. However the setting up of these
courses came after many decades of pioneering work at the educational
margins in the post-war period. Bolas’ account focuses particularly on
the voluntary efforts of activists in the Society for Education in Film
and Television and on that Society’s interchanging relationship with
the British Film Institute’s Education Department, set up in the 1930s.
It draws on recent interviews with many of the individuals who
contributed to the raising of the status of film, TV and media study.
Through detailed examination of the scattered but surviving documentary
record, the author seeks to challenge versions of the received history.
},
ISBN = {9781841502373},
URL = {http://www.intellectbooks.co.uk/ppbooks.php?isbn=9781841502373},
author = {Bolas, Terry}
}
@book { 220,
title = {Beyond Auteurism: New Directions in Autorial Film Practices in France, Italy, and Spain since the 1980s},
year = {2008},
note = {Forthcoming
},
publisher = {Intellect Books},
address = {Bristol},
author = {Maule, Rosanna}
}
@article { 363,
title = {Inventing Film Studies},
year = {2008},
note = {With contributions of Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan, D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis, Peter Wollen, Michael Zryd.
},
pages = {480},
publisher = {Duke University Press},
address = {Durham},
abstract = {Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies.
},
ISBN = {13 978-0-8223-4289-2},
author = {Wasson, Haidee and Grieveson, Lee}
}
@book { 522,
title = {The Sage Handbook of Film Studies},
year = {2008},
pages = {536},
publisher = {SAGE Publications ltd},
address = {London},
ISBN = {9780761943266},
URL = {http://www.sagepub.co.uk/booksProdDesc.nav?prodId=Book225692&},
author = {Renov, Michael and Donald, James}
}
@book { 487,
title = {The Tenth Muse: Writing about Cinema in the Modernist Period },
year = {2008},
pages = {584},
publisher = {Oxford University Press},
address = {Cambridge},
abstract = {The Tenth Muse explores writings on the cinema in the first decades of the twentieth century. Laura Marcus examines the impact of cinema on early twentieth-century literary and, more broadly, aesthetic and cultural consciousness, by bringing together the study of the terms and strategies of early writings about film with literary engagement with cinema in the same period. She gives a new understanding of the ways in which early writers about film - reviewers, critics, theorists - developed aesthetic categories to define and accommodate what was called 'the seventh art' or 'the tenth muse' and found discursive strategies adequate to the representation of the new art and technology of cinema, with its unprecedented powers of movement.
In examining the writings of early film critics and commentators in tandem with those of more specifically literary figures, including H.G.Wells and Virginia Woolf, and in bringing literary texts into this field, Laura Marcus provides a new account of relationships between cinema and literature. Intertwining two major strands of research - the exploration of early film criticism and theory and cinema's presence in literary texts - The Tenth Muse shows how issues central to an understanding of cinema (including questions of time, repetition, movement, vision, sound and silence) are threaded through both kinds of writing, and the ways in which discursive and fictional writings overlapped.
The movement that defined cinema was also perceived as a more fragile and unstable ephemerality that inhered at every level, from the fleeting nature of the projected images to the vagaries of cinematic exhibition. It was the anxiety over the mutability of the medium and its exhibition which, from the 1920s onwards, led to the establishment of such institutional spaces for cinema as the London-based Film Society, the new film journals, and, in the 1930s, the first film archives. The Tenth Muse explores the continuities between these sites of cinematic culture and the conceptual, literary and philosophical understandings of the filmic medium.
},
ISBN = {978-0-19-923027-3},
URL = {http://www.oup.com/us/catalog/general/subject/LiteratureEnglish/LiteraryTheory/?view=usa&ci=9780199230273#Description},
author = {Marcus, Laura}
}
@inbook { ,
title = {The Avant-Garde and the Development of Film Study in America},
booktitle = {Inventing Film Studies},
editor = {Wasson, Haidee; Grieveson, Lee},
year = {2008},
note = {Forthcoming},
publisher = {Duke University Press},
address = {Durham, NC},
author = {Zryd, Michael, R.}
}
@book { ,
title = {Scenes of Instruction : The Beginnings of the U.S. Study of Film},
year = {2007},
pages = {406},
publisher = {University of California Press},
address = {Berkeley},
keywords = {Motion pictures Study and teaching United States.},
ISBN = {9780520249622},
URL = {http://www.loc.gov/catdir/toc/ecip0618/2006025495.htmlhttp://www.loc.gov/catdir/enhancements/fy0702/2006025495-d.html },
author = {Polan, Dana B.}
}
@book { ,
title = {The Rise of the Blogosphere},
year = {2007},
publisher = {Praeger},
address = {Westport, Conn.},
abstract = {The conception of a popular American press -- The rise of advocacy journalism -- Debate in the early American press -- The victory for rights of the press -- The heyday of the partisan press -- The rise of professional journalism -- The creation of press empires -- Domination of the press by electronic media -- Alternative journalism -- The failure of the American news media -- The movement toward public journalism -- The growth of the discussion boards and the birth of the blogs -- 9/11 and the rise of the blogosphere -- Research, Rathergate, and the power of the blogs -- Political reclamation and citizen journalism.},
keywords = {Online journalism., Blogs., Cyberspace., Journalism United States.},
ISBN = {9780275989965 },
URL = {http://www.loc.gov/catdir/toc/ecip077/2007000052.html },
author = {Barlow, Aaron}
}
@book { ,
title = {The Virtual Life of Film},
year = {2007},
pages = {193},
publisher = {Harvard University Press},
address = {Cambridge, Mass.},
keywords = {Photography Digital techniques., Digital cinematography.},
ISBN = {9780674026681},
URL = {http://www.loc.gov/catdir/toc/ecip0715/2007015230.html },
author = {Rodowick, David Norman}
}
@article { ,
title = {16mm: Reports of Its Death Are Greatly Exaggerated},
journal = {Cinema Journal},
volume = {45},
number = {3},
year = {2006},
month = {Spring 2006},
pages = {124-130},
chapter = {124},
ISBN = {0009-71011527-2087},
author = {MacDonald, Scott}
}
@article { ,
title = {Film and Media Studies and the Law of the DVD},
journal = {Cinema Journal},
volume = {45},
number = {3},
year = {2006},
month = {Spring 2006},
pages = {118-124},
chapter = {118},
ISBN = {0009-71011527-2087},
author = {Fisher, William and Harlow, Jacqueline}
}
@article { 381,
title = {Celluloid and Plasma [Book Review of Laura Mulvey's Death 24x]},
journal = {New Left Review},
number = {39},
year = {2006},
month = {May-June 2006},
pages = {141-148},
abstract = {A new period in the history of cinema opened at the end of the 20th century. The arrival of television from the 1950s and then video from the 1980s had drastically altered both film-going habits and the viewing experience—dispersing much of a film’s audience across millions of sitting-rooms, and allowing it to be interrupted by advertising breaks and pause buttons. But the advent of digital technologies in the 1990s brought a transformation in the very material basis of film, initiating a shift from celluloid to grids of phototransistors, numerically encoding their share of light. The image itself moved from chemical registration of reality to electronic analogue—breaking the camera’s privileged link to the material world. This roughly coincided with the centenary of cinema in 1995, which by itself might have prompted a wave of retrospection on the history of the medium, but which was now accompanied by a sense that a definitive boundary had been breached. No longer recording physical presences—even in order to reconfigure them as fiction—cinema was entering an endless realm of simulacra. Its anniversary seemed to mark a death of sorts, and film’s history began to be regarded as a vast repository for the traces of a vanished past. As Laura Mulvey puts it in her new book, ‘the cinema is inhabited increasingly by spectres’
},
URL = {http://www.newleftreview.org/?page=article&view=2621},
author = {Wood, Tony}
}
@article { ,
title = {The Academy and the Avant-Garde: A Relationship of Dependance and Resistance},
journal = {Cinema Journal},
volume = {45},
number = {2},
year = {2006},
month = {February 2006},
ISBN = {0009-71011527-2087},
URL = {http://0-muse.jhu.edu.mercury.concordia.ca/journals/cj/http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID00097101ht},
author = {Zryd, Michael, R.}
}
@article { 579,
title = {American Studies and Film, Blindness and Insight},
journal = {American Quarterly},
volume = {58},
year = {2006},
month = {03/2006},
pages = {31-50},
abstract = {First, although American studies as an academic field emerging in the
United States after World War II has always been a notoriously
self-conscious discipline, perpetually worried about its own methods
and paradigm dramas, nobody to my knowledge had undertaken a systematic
analysis of the discipline's attitude toward film.1 Second, and perhaps
even more surprising, I found a puzzling lack of engagement with film
on the part of these academics. A full account of the consolidating and
authorizing of American studies as an academic discipline after WWII
would entail a wide variety of evidence: the activities of professional
organizations such as the ASA, regional and national conference
programs, course syllabi and curriculum development at various
universities, the granting of degrees and other credentials, as well as
article and book publication. While I will have occasion later in this
essay to discuss briefly the teaching of film by American studies
practitioners, my emphasis on the journal American Quarterly and other
midcentury publications is designed to highlight the field's production
of knowledge rather than its transmission (via teaching and conference
talks, for example, including marginalized or dissenting perspectives
and voices that are often difficult to recover).4 It is not simply that
scholarly publications leave a clearer paper trail; I would insist that
such print production remains the single most crucial way to gauge the
methodological and ideological contours of any academic discipline, its
"field imaginary"-those unconscious presuppositions that drive its
sense of itself.5 And in the field imaginary of American studies, film
does not seem to play any significant role until the 1970s, judging at
least by American Quarterly, which was not simply the discipline's
leading publication, but in fact the only national scholarly journal
devoted to American studies in the 1950s.
},
author = {Auerbach, Johathan}
}
@book { ,
title = {A New Theory in the Philosophy and History of Three Twentieth-Century Styles in Art : Modernism, Postmodernism, and Surrealism},
year = {2006},
publisher = {Edwin Mellen Press},
address = {Lewiston, N.Y.},
keywords = {Arts, Modern 20th century Philosophy., Modernism (Aesthetics) History 20th century., Postmodernism., Surrealism.},
ISBN = {97807734581610773458166 },
author = {Casebier, Allan}
}
@book { ,
title = {Beyond the Multiplex : Cinema, New Technologies, and the Home},
year = {2006},
publisher = {University of California Press},
address = {Berkeley},
abstract = {The new media aristocrats: home theater and the film experience -- The contemporary cinephile: film collecting after the VCR -- Remembrance of films past: cable television and classic Hollywood cinema -- Once is not enough: the functions and pleasures of repeat viewings -- To infinity and beyond: the Web short, parody, and remediation -- Conclusion: of fortresses and film cultures.},
keywords = {Television Social aspects., Television Technological innovations., Motion pictures and television., Home theaters.},
ISBN = {0520223152},
author = {Klinger, Barbara}
}
@book { ,
title = {Cinephilia and History, or, the Wind in the Trees},
year = {2006},
publisher = {Indiana University Press},
address = {Bloomington},
abstract = {1. The desire for cinema -- 2. The cinephiliac moment and panoramic perception -- 3. André Bazin and the revelatory potential of cinema -- 4. Cahiers du cinéma and the way of looking -- 5. Film and the limits of history -- 6. A cinephiliac history -- 7. Five cinephiliac anecdotes.},
keywords = {Motion pictures.},
ISBN = {0253217954 },
URL = {http://www.loc.gov/catdir/toc/ecip0517/2005023392.html },
author = {Keathley, Christian}
}
@book { ,
title = {Histoire de la cinémathèque française},
year = {2006},
pages = {507},
publisher = {Gallimard},
address = {Paris},
keywords = {Cin, émathèque française History.},
ISBN = {2070774449},
author = {Mannoni, Laurent}
}
@book { ,
title = {New Media, Old Media : A History and Theory Reader},
year = {2006},
pages = {418},
publisher = {Routledge},
address = {New York},
keywords = {Mass media History.},
ISBN = {0415942233},
URL = {http://www.loc.gov/catdir/toc/ecip0513/2005014486.html },
author = {Chun, Wendy Hui Kyong and Keenan, Thomas}
}
@book { ,
title = {The Anthropology of Art : A Reader},
series = {Blackwell anthologies in social and cultural anthropology},
year = {2006},
publisher = {Blackwell Pub.},
address = {Malden, MA ; Oxford},
abstract = {Primitive Art / Split Representation in the Art of Asia and America / Introduction to tribes and Forms in African Art / Style, Grace, and Information in Primitive Art / Tikopea Art and Society / Abelam Artist / Modernist primitivism : an introduction / Defective affinities: primitivism in 20th Century Art / Histories of the Tribal and the Modern / Case in Point and afterwords to Primitive Art in Civilized Places / Oriental Antiquities/Far Eastern art / Introduction to art/artifact: African art in anthropology collections / Vogel's Net: Traps as Artworks and Artworks as Traps / Yoruba Artistic Criticism / Style in Technology: Some Early Thoughts / Marvels of Everyday Vision: The Anthropology of Aesthetics and the Cattle-Keeping nilotes / From Dull to Brilliant: The Aesthetics of Spiritual Power Among the Yolngu / Visual Categories: An Approach to the Study of Representational Systems / Structural Patterning in Kwakiutl Art and Ritual / Sacred Art and Spiritual Power: An Analysis of Tlingit Shaman's Mask / All things made / Modernity and the 'Graphicalization' of Meaning: New Guinea Highland Shield Design in Historical Perspective / Arts of the fourth world / Collecting and Display of Souvenir Arts: Authenticity and the strictly commercial / Art of the Trade: on the Creation of Value and Authenticity in the African art market / Second Reflection: Presence and Opposition in Contemporary Maori Art / Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic paintings / Aesthetics and Iconography: An Artists Approach / Kinds of knowing / Cew Ete Haw I Tih: The Bird That Carries Language Back to Another /},
keywords = {Art and anthropology., Art and society.},
ISBN = {1405105623},
URL = {http://www.loc.gov/catdir/toc/ecip0512/2005013067.html },
author = {Clifford, James and Morphy, Howard and Perkins, Morgan}
}
@inbook { ,
title = {Du côté d'Europa, Via Asia: the Post-Hollywood Besson},
booktitle = {The Films of Luc Besson: Master of Spectacle},
editor = {Hayward, Susan; Powrie, Phil},
year = {2006},
publisher = {Manchester University Press},
chapter = {2},
address = {Manchester, UK},
ISBN = {9780719070280 (Cloth)071},
author = {Maule, Rosanna}
}
@inbook { ,
title = {The Dialectics of Trans-national Identity and Female Desire in the Films of Claire Denis},
booktitle = {Remapping World Cinema: Identity, Culture and Politics in Film},
editor = {Dennison, Stephanie; Lim, Song Hwee},
year = {2006},
pages = {73-85},
publisher = {Wallflower Press},
chapter = {6},
address = {LondonNew York},
ISBN = {1904764622 (pbk)19047646},
author = {Maule, Rosanna}
}
@article { 108,
title = {Anime Fans, DVDs, and the Authentic Text},
journal = {The Velvet Light Trap},
number = {56},
year = {2005},
month = {Fall 2005},
pages = {45-47},
chapter = {45},
URL = {http://0-search.ebscohost.com.mercury.concordia.ca/direct.asp?db=aph&jid=%228I3%22&scope=site },
author = {Cubbison, Laurie}
}
@article { ,
title = {Aspect Ratios and Joe Six-Packs: Home Theater Enthusiasts' Battle to Legitimize the DVD Experience},
journal = {The Velvet Light Trap},
number = {56},
year = {2005},
month = {Fall 2005},
pages = {58-70},
chapter = {56},
ISBN = {0149-1830},
URL = {http://0-search.ebscohost.com.mercury.concordia.ca/direct.asp?db=aph&jid=%228I3%22&scope=site },
author = {Kendrick, James}
}
@article { ,
title = {Making-of Documentaries on DVD: The Lord of the Rings Trilogy and Special Editions},
journal = {The Velvet Light Trap},
number = {56},
year = {2005},
month = {Fall 2005},
pages = {4-17},
chapter = {4},
ISBN = {0149-1830},
URL = {http://0-search.ebscohost.com.mercury.concordia.ca/direct.asp?db=aph&jid=%228I3%22&scope=site },
author = {Hight, Craig}
}
@article { ,
title = {Unwrapping Archives : DVD Restorations and the Marketing of Authenticity},
journal = {The Velvet Light Trap},
number = {56},
year = {2005},
month = {Fall 2005},
pages = {18-31},
chapter = {18},
ISBN = {0149-1830},
URL = {http://0-search.ebscohost.com.mercury.concordia.ca/direct.asp?db=aph&jid=%228I3%22&scope=site },
author = {Carroll, Nathan}
}
@article { ,
title = {Welcome to the Viral Future of Cinema},
journal = {Cinema Journal},
volume = {45},
number = {1},
year = {2005},
month = {Fall 2005},
pages = {90-97},
chapter = {90},
ISBN = {0009-71011527-2087},
author = {Caldwell, John T}
}
@article { ,
title = {The Digital Auteur: Branding Identity on the Monsters, Inc. DVD},
journal = {Western Journal of Communication},
volume = {69},
number = {2},
year = {2005},
month = {April 2005},
pages = {109-128},
chapter = {109},
ISBN = {1057-0314},
URL = {http://0-search.ebscohost.com.mercury.concordia.ca/direct.asp?db=ufh&jid=%22WJC%22&scope=site Connect via Ebsco CMMC; check site for coverage },
author = {Brookey, Robert Alan and Westerfelhaus, Robert}
}
@article { ,
title = {Cinephilia: Movies, Love, and Memory},
year = {2005},
pages = {236},
publisher = {Amsterdam University Press},
address = {Amsterdam},
keywords = {Motion pictures.},
ISBN = {90535676909053567682},
author = {De Valck, Marijke and Hagener, Malte}
}
@book { ,
title = {La reine Margot},
series = {French film guides series.},
year = {2005},
publisher = {University of Illinois Press},
address = {Urbana},
ISBN = {9780252030901 (alk. pape},
URL = {http://www.loc.gov/catdir/toc/ecip0512/2005012905.html },
author = {Pidduck, Julianne}
}
@book { ,
title = {Museum Movies : The Museum of Modern Art and the Birth of Art Cinema},
year = {2005},
pages = {314},
publisher = {University of California Press},
address = {Berkeley},
keywords = {Museum of Modern Art (New York, N.Y.). Film Library History., Motion pictures Preservation United States., Motion pictures United States History.},
ISBN = {0520227778},
URL = {http://www.loc.gov/catdir/toc/ecip052/2004024026.html },
author = {Wasson, Haidee}
}
@book { ,
title = {The DVD Revolution : Movies, Culture, and Technology},
year = {2005},
publisher = {Praeger},
address = {Westport, Conn.},
keywords = {DVD-Video discs Social aspects., DVD-Video discs History.},
ISBN = {0275983870},
URL = {http://www.loc.gov/catdir/toc/ecip0421/2004018109.html },
author = {Barlow, Aaron}
}
@article { ,
title = {The Philosophy of Film : Introductory Text and Readings},
year = {2005},
pages = {308},
publisher = {Blackwell},
address = {Malden, Mass.},
keywords = {Motion pictures Philosophy.},
ISBN = {140511441X },
URL = {http://www.loc.gov/catdir/toc/ecip051/2004022204.html },
author = {Wartenberg, Thomas E. and Curran, Angela}
}
@inbook { ,
title = {DVDs and the Director's Intentions},
booktitle = {The Philosophy of Film. Introductory Text and Readings},
editor = {Wartenberg, Thomas; Curran, Angela},
year = {2005},
pages = {123-133},
publisher = {Blackwell },
address = {Malden, Mass.},
ISBN = {140511441X (alk. paper)1},
author = {Parker, Deborah and Parker, Matt}
}
@article { ,
title = {Celluloid Goes Digital: Historical-Critical Editions of Films on DVD and the Internet: Proceedings of the First International Trier Conference on Film and New Media, October 2002 (review)},
journal = {The Moving Image},
volume = {4},
number = {1},
year = {2004},
month = {Spring 2004},
pages = {161-164},
chapter = {161},
author = {Hoffman, Kay}
}
@article { ,
title = {Some Bald Assertion by an Ignorant and Badly Educated Frenchman. Technology, Film Criticism, and the Restoration of Vertigo (1996)},
journal = {The Moving Image},
volume = {4},
number = {1},
year = {2004},
month = {Spring 2004},
pages = {130-141},
chapter = {130},
author = {Enticknap, Leo}
}
@article { 537,
title = {The New Film History as Media Archaeology},
journal = {Cinémas : revue d'études cinématographiques = journal of film studies},
volume = {14},
year = {2004},
month = {2004},
pages = {75-117},
chapter = {75},
abstract = {The article assesses the impact of digital technologies on our
understanding of film history. While the “New Film History” has
revitalized the study of the cinema’s “origins,” it has not yet proven
itself equally successful in analyzing the subsequent
turn-of-the-century multi-media conjuncture. Faced with this challenge,
the essay makes a case for a new historiographical model, “Media
Archaeology,” in order to overcome the opposition between “old” and
“new” media, destabilized in today’s media practice. The field of
audio-visual experience needs to be re-mapped, clarifying what is meant
by embodiment, interface, narrative, diegesis, and providing new
impulses also for the study of non-entertainment uses of the
audio-visual dispositif.
},
author = {Elsaesser, Thomas}
}
@article { ,
title = {A Companion to Film Theory},
year = {2004},
publisher = {Blackwell},
edition = {1st pbk.},
address = {Malden, MA},
keywords = {Motion pictures., Motion pictures Social aspects.},
ISBN = {0631206450},
author = {Miller, Toby and Stam, Robert}
}
@book { ,
title = {Contemporary Costume Film : Space, Place and the Past},
year = {2004},
publisher = {BFI},
address = {London},
keywords = {Historical films Great Britain History and criticism.},
ISBN = {1844570541 (pbk.)1844570},
author = {Pidduck, Julianne}
}
@book { ,
title = {Film Theory : Critical Concepts in Media and Cultural Studies},
series = {Critical concepts in media and cultural studies},
year = {2004},
publisher = {Routledge},
address = {London ; New York},
keywords = {Motion pictures., Cinematography.},
ISBN = {041525972X (v. 1)0415259},
author = {Simpson, Philip and Utterson, Andrew and Shepherdson, K. J.}
}
@book { ,
title = {Lust Unearthed : Vintage Gay Graphics from the DuBek Collection},
year = {2004},
pages = {316},
publisher = {Arsenal Pulp Press},
address = {Vancouver, B.C.},
keywords = {Erotic drawing Catalogs., Homosexuality, Male, in art Catalogs., DuBek, Ambrose Art collections, Drawing Private collections Catalogs., Gay, Lesbian, Bisexual and Transgender Historical Society},
ISBN = {1551521652},
URL = {http://www.loc.gov/catdir/enhancements/fy0627/2005362419-d.html },
author = {Waugh, Thomas and Walker, Willie}
}
@book { ,
title = {The "I" of the Camera : Essays in Film Criticism, History, and Aesthetics},
series = {Cambridge Studies in Film},
year = {2004},
pages = {389},
publisher = {Cambridge University Press},
edition = {2nd},
address = {Cambridge, UK; New York},
keywords = {Motion pictures.},
ISBN = {05218202270521527244},
URL = {http://www.loc.gov/catdir/description/cam032/2003048464.htmlhttp://www.loc.gov/catdir/toc/cam031/2003048464.html },
author = {Rothman, William}
}
@article { ,
title = {Can Hitchcock Be Saved From Hitchcock Studies?},
journal = {Cineaste},
volume = {28},
number = {4},
year = {2003},
month = {September 22, 20},
pages = {16},
chapter = {16},
ISBN = {0009-7004},
author = {Belton, John}
}
@article { ,
title = {Digital Editing and Montage: the Vanishing Celluloid and Beyond},
journal = {Cinémas : revue d'études cinématographiques = journal of film studies},
volume = {13},
number = {1-2},
year = {2003},
pages = {69-107},
chapter = {69},
ISBN = {1705-6500 (electronic)11},
URL = {http://www.revue-cinemas.umontreal.ca/numeros.htmhttp://www.erudit.org/revue/cine/ },
author = {Lefebvre, Martin and Furstenau, Marc}
}
@book { ,
title = {Image Ethics in the Digital Age},
year = {2003},
publisher = {University of Minnesota Press},
address = {Minneapolis, MN},
keywords = {Photojournalism Moral and ethical aspects., Photography Moral and ethical aspects.},
ISBN = {0816638241},
URL = {http://www.loc.gov/catdir/toc/ecip043/2003009776.html },
author = {Gross, Larry P. and Katz, John Stuart and Ruby, Jay}
}
@book { ,
title = {La cinéphilie : invention d'un regard, histoire d'une culture, 1944-1968},
year = {2003},
pages = {404},
publisher = {Fayard},
address = {Paris},
keywords = {Film criticism France History., Motion pictures France History., Cinema Essay.},
ISBN = {2213615071},
author = {Baecque, Antoine de}
}
@book { ,
title = {Screen Traffic : Movies, Multiplexes, and Global Culture},
year = {2003},
publisher = {Duke University Press},
address = {Durham},
keywords = {Motion picture audiences., Motion pictures Distribution.},
ISBN = {0822331756 (cloth alk. p},
author = {Acland, Charles R.}
}
@article { ,
title = {An Innocent Eye: The 'Pictorial Turn', Film Studies, and History},
journal = {History of Education Quarterly},
number = {2},
year = {2003},
pages = {250-261},
chapter = {250},
ISBN = {0018-2680},
URL = {http://0-www.blackwell-synergy.com.mercury.concordia.ca/servlet/useragent?func=showIssues&code=hoeqhttp://0-www.jstor.org.mercury.concordia.ca/journals/00182680.html },
author = {Cohen, Sol}
}
@inbook { ,
title = {The Multiple Commitment of the Film Author},
booktitle = {Il film e i suoi multipli : IX Convegno internazionale di studi sul cinema = Film and its multiples : IX International Film Studies Conference, University of Udine},
editor = {Antonini, Anna},
year = {2003},
pages = {241-250},
publisher = {Forum},
address = {Udine},
ISBN = {8884201241},
author = {Maule, Rosanna}
}
@article { ,
title = {The Work of Film Analysis: Systems, Fragmens, Alternation},
journal = {Semiotica},
volume = {144},
number = {1-4},
year = {2003},
pages = {343-357},
ISBN = {0037-1998},
author = {Gunning, Tom}
}
@article { ,
title = {What Does It Mean, Mr. Holmes? An Approach to Film Study},
journal = {Literature Film Quarterly},
volume = {31},
number = {1},
year = {2003},
pages = {69-89},
chapter = {69},
ISBN = {0090-4260},
URL = {http://0-search.ebscohost.com.mercury.concordia.ca/direct.asp?db=ufh&jid=%22LFQ%22&scope=sitehttp://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:contents:abl_toc/Literature},
author = {Manchel, Frank}
}
@article { ,
title = {Cinema as 'Vernacular Modernism'; Conference, University of Chicago, 18 May 2002},
journal = {Screen},
volume = {43},
number = {4},
year = {2002},
month = {Winter 2002},
pages = {432-7},
chapter = {432},
ISBN = {1460-2474 (Online)0036-9},
author = {Askari, Kaveh}
}
@article { ,
title = {Cognitive Film Theory: An Insider's Appraisal},
journal = {Cinémas : revue d'études cinématographiques = journal of film studies},
volume = {12},
number = {2},
year = {2002},
month = {Winter 2002},
pages = {15-37},
chapter = {15},
ISBN = {1705-6500 (electronic)11},
author = {Platinga, Carl}
}
@article { ,
title = {L'enseignement du cinéma au collège et à l'université: Table ronde},
journal = {24 Images},
number = {109},
year = {2002},
month = {Winter 2002},
pages = {13-21},
chapter = {13},
ISBN = {0707-9389},
author = {Loiselle, Marie-Claude and Racine, Claude}
}
@article { ,
title = {The Gaze as Theoretical Touchstone: The Intersection of Film Studies, Feminist Theory, and Postcolonial Theory},
journal = {Women's Studies Quarterly},
volume = {30},
number = {1-2},
year = {2002},
month = {Spring/Summer 20},
pages = {25-44},
chapter = {25},
ISBN = {073215620732-1562},
author = {Columpar, Corinn}
}
@article { ,
title = {On the Existence of Women: A Brief History of the Relation Between Women's Studies and Film Studies},
journal = {Women's Studies Quarterly},
volume = {30},
number = {1-2},
year = {2002},
month = {Spring 2002},
pages = {15-25},
chapter = {15},
author = {Modleski, Tania}
}
@article { ,
title = {Hiding Homoeroticism in Plain View: The Fight Club DVD as Digital Closet},
journal = {Critical Studies in Media Communication},
volume = {19},
number = {1},
year = {2002},
month = {March 2002},
pages = {21-43},
chapter = {21},
ISBN = {1529-5036},
URL = {http://0-search.ebscohost.com.mercury.concordia.ca/direct.asp?db=ufh&jid=%2297H%22&scope=sitehttp://0-www.informaworld.com.mercury.concordia.ca/openurl.asp?genre=journal&issn=0739-3180 },
author = {Brookey, Robert Alan and Westerfelhaus, Robert}
}
@article { ,
title = {American Film Studies Today},
journal = {Journal of Communication},
volume = {52},
number = {2},
year = {2002},
month = {June 2002},
pages = {459},
chapter = {459},
ISBN = {1460-24660021-9916 (prin},
author = {Wasser, Frederick}
}
@article { ,
title = {Professional Myopia: How American Academe is Failing Cinema},
journal = {Quarterly Review of Film and Video},
volume = {19},
number = {3},
year = {2002},
month = {Jul-Sep 2002},
pages = {201-207},
chapter = {201},
ISBN = {1050-92081543-5326 (elec},
author = {MacDonald, Scott}
}
@article { ,
title = {Cinematic Political Thought [by Michael Shapiro] (book review)},
journal = {Film Quarterly},
volume = {56},
number = {1},
year = {2002},
month = {Fall 2002},
pages = {49-50},
chapter = {49},
ISBN = {0015-1386},
author = {Hoffman, Alison}
}
@inbook { ,
title = {A Report on Canadian Experimental Film Institutions 1980-2000},
booktitle = {North of Everything : English-Canadian Cinema Since 1980},
editor = {Beard, William; White, Jerry},
year = {2002},
pages = {392-401},
publisher = {University of Alberta Press},
address = {Edmonton},
keywords = {Motion pictures Canada History.},
ISBN = {088864390X},
author = {Zryd, Michael, R.}
}
@book { ,
title = {Dictionnaire théorique et critique du cinéma},
year = {2002},
pages = {245},
publisher = {Nathan/Vuef},
address = {Paris},
keywords = {Cinema - French Dictionary},
ISBN = {2091911240},
author = {Aumont, Jacques and Marie, Michel}
}
@article { ,
title = {Film and Knowledge : Essays on the Integration of Images and Ideas},
year = {2002},
publisher = {McFarland},
address = {Jefferson, N.C.},
abstract = {Losing the plot : narrative form and ethical identity in Lost highway / Jane Stadler -- The order of rage : epistemology and the need for knowledge in Paul Schrader's Affliction / Christopher Fahy -- The end of suspicion : Hitchcock, Descartes, and Joan Fontaine / Robert J. Yanal -- Ordinary, extraordinary, real, and true : negotiating the boundaries in Cronenberg's Naked lunch / Amy Lund -- The anti-metaphysics game : a Wittgensteinian reading of The crying game / Richard Gull -- Platonic themes in Chris Marker'a La jet / Sander Lee -- Persistent ambiguity and moral responsibility in Rashomon / Robert van Es -- Citizen Kant : themes of consciousness and cognition in Citizen Kane / Dave Leboeuf -- Epistemology and the philosophy of cinema / Matthew Burstein -- Is it all in our imagination? : questioning the use of the concept of the imagination in cognitive film theory / Karen Bardsley -- The epistemology of race and Black American film noir : Spike Lee's Summer of Sam as lynching parable / Dan Flory -- Feminist film theory as ideology critique / Cynthia A. Freeland -- It's all ideology, isn't it? / Daniel Shaw -- Film, feminism, and ideology : a reply to Dan Shaw and Cynthia Freeland / Noël Carroll.},
keywords = {Motion pictures.},
ISBN = {0786413204},
URL = {http://www.loc.gov/catdir/toc/fy033/2002003339.html },
author = {Stoehr, Kevin L.}
}
@book { ,
title = {Les théories des cinéastes},
series = {Nathan cinéma},
year = {2002},
pages = {170},
publisher = {Nathan; Armand Colin},
address = {Paris},
keywords = {Film criticism Philosophy.},
ISBN = {209190788X; 2200341776},
author = {Aumont, Jacques}
}
@book { ,
title = {North of Everything : English-Canadian Cinema Since 1980},
year = {2002},
pages = {488},
publisher = {University of Alberta Press},
address = {Edmonton},
abstract = {Screen space, screen time, and Canadian film exhibition / Brave new film board / Imagining region : a survey of Newfoundland film / English-Canadian animation, 1975-2000 / Shacky-wacky animation : the case of Manitoba / Conjugating three moments in black Canadian cinema / Fishy / Directed by Phillip Borsos / Janis Cole and Holly Dale's cinema of marginality / Thirty-two paragraphs about David Cronenberg / The Cronenberg effect / Repetition, compulsion, and representation in Atom Egoyan's films / The tuxedoed fallacy : intratextual audiences in two films by François Girard / Greyson, Grierson, Godard, God : reflections on the cinema of John Greyson / Srinivas Krsihna and the New Canadian Cinema / Fire and ice : the films of Guy Maddin / 35-mm non-fiction : an interview with Ron Mann / Canadian (inter)national cinema : William MacGillivray's Life classes / Outlaw insider : the films of Bruce McDonald / The radically moderate Canadian : Don McKellar's cinematic persona / Deepa Mehta as transnational filmmaker, or, You can't go home again / Political alignments and the lure of 'more existential questions' in the films of Patricia Rozema / States of emergency in the films of Anne Wheeler / Studio one : of storytellers and stories / In the hands of the people : a conversation with Marjorie Beaucage / Cowboy filmmaking : an interview with Gil Cardinal / Alanis Obsomsawin, documentary form and the Canadian nation(s) / Uncommon visions : the films of Loretta Todd / A report on Canadian experimental film institutions, 1980-2000 / Ten years of dreams about art / Mike Hoolboom and the second generation of AIDS films in Canada / The Lisa Steele tapes : investigation and vision /},
keywords = {Motion pictures Canada History.},
ISBN = {0888643985},
author = {Beard, William and White, Jerry}
}
@book { ,
title = {New Screen Media : Cinema/Art/Narrative},
year = {2002},
pages = {335},
publisher = {British Film Institute},
address = {London},
abstract = {DVD-ROM produced by 4:2:2 (Bristol) 2001 for the ZKM (Karlsruhe) and the BFI (London)"--Preface / Timothy Druckrey -- Foreword : an age of narrative chaos? / Martin Rieser and Andrea Zapp -- Structural overview : cinema, art, and the reinvention of narrative -- Spreadsheets, sitemaps, and search engines : why narrative is marginal to multimedia and networked communication, and why marginality is more vital than universality / Sean Cubitt -- Reflections on digital imagery : of mice and men / Paul Willemen -- The art of narrative : towards the floating work of art / Söke Dinkla -- Narrated theory : multiple projection and multiple narration (past and future) / Peter Weibel -- Towards meaningful spaces / Annika Blunck -- Spatial computerisation and film language / Lev Manovich -- Net.drama://myth/mimesis/mind*mapping/ / Andrea Zapp -- Interactive or inhabited TV : broadcasting for the twenty-first century / Alex Butterworth and John Wyver -- New paradigms <> new movies : interactive film and new narrative interfaces / Chris Hales -- The interactive art gambit / Ken Feingold -- Notes toward a hypertextual theory of narrative / Jon Dovey -- The poetics of interactivity : the uncertainty principle / Martin Rieser -- Interactive storytelling : the renaissance of narration / Eku Wand -- Mastery (sonic c'est moi) / Grahame Weinbren -- Crossing and collapsing time : re-constructing (her)historical and ideological film narratives on a transformed stage / Jill Scott -- The space between : telepresence, re-animation, and the re-casting of the invisible / Toni Dove -- Intersecting the virtual and the real : space in interactive media installations / George Legrady -- Virtual reality : tautological oxymoron / Malcolm Le Grice -- Recombinant poetics : emergent explorations of digital video in virtual space / Bill Seaman -- The construction of experience : turning spectators into visitors / Luc Courchesne -- Movies after film : the digitally expanded cinema / Jeffrey Shaw -- 'Emotions encoded' / Merel Mirage -- An ersatz of life : the dream life of technology / Zoe Beloff -- The good cook : a vertical axis versus a horizontal axis in interactive narrative construction / Michael Buckley -- Mongrel's National heritage : reporting the experience / Graham Harwood.},
keywords = {Multimedia (Art), Mass media., Narration (Rhetoric), Narrative art., Interactive art., Interactive multimedia., Motion pictures and the arts., Video art., Art and technology.},
ISBN = {0851708641},
author = {Rieser, Martin and Zapp, Andrea}
}
@book { ,
title = {Out/lines : Underground Gay Graphics from before Stonewall},
year = {2002},
pages = {296},
publisher = {Arsenal Pulp Press},
address = {Vancouver},
keywords = {Gay erotic art., Gay men in art.},
ISBN = {1551521237},
URL = {http://www.loc.gov/catdir/description/cons041/2003428509.html },
author = {Waugh, Thomas}
}
@book { ,
title = {Visual Pedagogy : Media Cultures in and Beyond the Classroom},
year = {2002},
publisher = {Duke University Press},
address = {Durham},
abstract = {Media and global education : television's debut in classrooms from Washington, D.C., to American Samoa -- Students as producers : critical video production -- Critical pedagogy at the end of the rainbow curriculum : media activism and institutional border crossing -- Peer education and interactivity : youth cultures and new media technologies in schools and beyond -- Museums, pedagogy, and technology : the blockbuster exhibition and the emergence of managed diversity -- A pedagogical cinema : development theory, colonialism, and post-liberation African film -- Local television and community politics in Brazil : São Paolo's TV Anhembi.},
keywords = {Mass media and education., Audio-visual education Social aspects., Critical pedagogy.},
ISBN = {0822329360},
author = {Goldfarb, Brian}
}
@article { ,
title = {Film and the Digital in Visual Studies: Film Studies in the Era of Convergence},
journal = {Journal of Visual Culture},
volume = {1},
number = {1},
year = {2002},
pages = {7-23},
chapter = {7},
ISBN = {1741-29941470-4129 (Prin},
URL = {http://0-online.sagepub.com.mercury.concordia.ca/14704129 Connect via Sage; check site for coverage },
author = {Cartwright, Lisa}
}
@book { ,
title = {Responding to Film: A Text Guide for Students of Cinema Art},
year = {2002},
publisher = {Burnham Publishers},
address = {Chicago},
author = {Santas, Constantine}
}
@article { ,
title = {Reading in the Dark: Cognitivism, Film Theory, and Radical Interpretation},
journal = {Style},
volume = {35},
number = {4},
year = {2001},
month = {Winter 2001},
pages = {572-591},
chapter = {572},
author = {Vescio, David}
}
@article { ,
title = {A Phantom Discipline},
journal = {PMLA},
volume = {116},
number = {5},
year = {2001},
month = {Oct 2001},
pages = {1386-1395},
chapter = {1386},
ISBN = {0030-8129},
URL = {http://0-www.jstor.org.mercury.concordia.ca/journals/00308129.html },
author = {Chow, Rey}
}
@article { ,
title = {Dr. Strange Media; Or, How I Learned to Stop Worrying and Love Film Theory},
journal = {PMLA},
volume = {116},
number = {5},
year = {2001},
month = {Oct 2001},
pages = {1396-1404},
chapter = {1396},
ISBN = {0030-8129},
URL = {http://0-www.jstor.org.mercury.concordia.ca/journals/00308129.html },
author = {Rodowick, David Norman}
}
@article { ,
title = {Martine Marignac, Productrice de la Famille Cinéphile},
journal = {Cahiers du cinéma},
number = {561},
year = {2001},
month = {Oct 2001},
pages = {32-3},
chapter = {32},
ISBN = {075780750008011x},
author = {Ballylinch, Anne}
}
@article { ,
title = {Rumble in the Academy},
journal = {Film Comment},
volume = {37},
number = {6},
year = {2001},
month = {Nov/Dec 2001},
pages = {30-34},
chapter = {30},
ISBN = {0015-119x},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID0015119Xhttp://0-www.umi.com.mercury.concordia.ca/pqdauto?COPT=U1},
author = {Quart, Alissa}
}
@article { ,
title = {Cinéma à l'École: Les profs réagissent},
journal = {Cahiers du cinéma},
number = {554},
year = {2001},
month = {February 2001},
pages = {34-35},
chapter = {34},
ISBN = {0008-011x0008011X},
author = {Farcy, Jean-Luc and Cailloz, Patrick and Tripier-Mondancin, Odile}
}
@article { ,
title = {Ne tirez pas sur le pianiste!},
journal = {Cahiers du cinéma},
number = {554},
year = {2001},
month = {Feb 2001},
pages = {35},
chapter = {35},
ISBN = {075780750008011x},
author = {Bergala, Alain}
}
@book { ,
title = {Critical Dictionary of Film and Television Theory},
year = {2001},
pages = {498},
publisher = {Routledge},
address = {London ; New York},
keywords = {Motion pictures Dictionaries., Television Dictionaries., Film criticism Dictionaries.},
ISBN = {0415162181},
author = {Simpson, Philip and Pearson, Roberta E.}
}
@book { ,
title = {Esthétique et psychologie du cinéma},
year = {2001},
pages = {526},
publisher = {Cerf},
address = {Paris},
keywords = {Motion pictures Aesthetics., Motion pictures Psychological aspects.},
ISBN = {2204066257},
author = {Mitry, Jean and Hennebelle, Guy}
}
@book { ,
title = {How a Film Theory Got Lost and Other Mysteries in Cultural Studies},
year = {2001},
pages = {164},
publisher = {Indiana University Press},
address = {Bloomington},
keywords = {Motion pictures Philosophy., Film criticism.},
ISBN = {0253214386},
author = {Ray, Robert B.}
}
@phdthesis { ,
title = {Imagining the Archive: Film Collecting in America Before MoMA},
volume = {Ph.D.},
year = {2001},
school = {New York University},
type = {PhD Thesis},
address = {New York},
author = {Decherney, Peter}
}
@book { ,
title = {Reading the Figural, or, Philosophy after the New Media},
series = {Post-Contemporary Interventions},
year = {2001},
publisher = {Duke University Press},
address = {Durham},
keywords = {Mass media Philosophy., Visual communication., Semiotics., Aesthetics.},
ISBN = {0822327228 (pbk. alk. pa},
author = {Rodowick, David Norman}
}
@book { ,
title = {Studying Film},
year = {2001},
pages = {322},
publisher = {Arnold; Oxford University Press},
address = {London; New York},
keywords = {Motion pictures.},
ISBN = {03407613340340761342},
URL = {http://www.loc.gov/catdir/toc/fy02/2002276042.html },
author = {Abrams, Nathan and Bell, Ian and Udris, Jan}
}
@book { ,
title = {Studying Contemporary American Film : A Guide to Movie Analysis},
year = {2001},
publisher = {Arnold},
address = {London},
keywords = {Film criticism United States., Motion pictures United States Evaluation.},
ISBN = {0340762063 },
author = {Elsaesser, Thomas and Buckland, Warren}
}
@book { ,
title = {Sure Seaters : The Emergence of Art House Cinema},
series = {Commerce and Mass Culture Series},
year = {2001},
pages = {178},
publisher = {University of Minnesota Press},
address = {Minneapolis},
abstract = {Introduction. The Image of Culture: Art Houses and Film Exhibition -- 1. Reading for Maximum Ambiguity: A Consideration of the Art Film -- 2. Around the Corner from the Big Top: Contextualizing the Postwar Art House -- 3. Limited Audience Appeal: Shaping the Art House Industry -- 4. "Any Leisure That Looks Easy Is Suspect": Art House Audiences and the Search for Distinction -- 5. "Demitasse Intermissions and Lobbies Hung with Paintings": The Techniques of Running an Art House -- Conclusion. Ranges of Difference: Alternative Cultures in a Commercial Industry.},
keywords = {Motion picture theaters United States., Experimental films United States., Foreign films United States.},
ISBN = {0816635625},
author = {Wilinsky, Barbara}
}
@book { ,
title = {The Language of New Media},
year = {2001},
publisher = {MIT Press},
address = {Cambridge, Mass.},
keywords = {Mass media Technological innovations.},
ISBN = {0262133741},
author = {Manovich, Lev}
}
@article { ,
title = {What is the Criterion? The Criterion Collection as an Archive of Film as Culture},
journal = {Journal of Film and Video},
volume = {53},
number = {2-3},
year = {2001},
pages = {124-139},
chapter = {124},
ISBN = {0742-4671},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID07424671http://0-search.ebscohost.com.mercury.concordia.ca/direct},
author = {Kendrick, James}
}
@article { ,
title = {Annual Bibliography of Film Studies - 1999},
journal = {Post Script},
volume = {19},
number = {3},
year = {2000},
note = {Post script (Jacksonville, Fla.)Post script.Postscript.ill. ; 22 cm."Essays in film and the humanities."Published: Commerce, TX., Description based on surrogate; title from cover.Some issues have also distinctive titles.},
month = {Summer 2000},
pages = {67-96},
publisher = {Post Script Inc.},
chapter = {67},
address = {Jacksonville, Fla.},
keywords = {Motion picture plays History and criticism Periodicals., Electronic journals.},
ISBN = {0277-98970227-9897},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID02779897 },
author = {Telotte, J.P.}
}
@article { ,
title = {Connecting to Film History Through Writing},
journal = {Cinema Journal},
volume = {39},
number = {4},
year = {2000},
month = {Summer 2000},
pages = {83-88},
chapter = {83},
ISBN = {0009-71011527-2087},
author = {Bates, Robin}
}
@article { ,
title = {Connecting Film/Media Studies to Student Experiences},
journal = {Cinema Journal},
volume = {39},
number = {4},
year = {2000},
month = {Summer 2000},
pages = {81-83},
chapter = {81},
ISBN = {0009-71011527-2087},
author = {Currie, Ramona}
}
@article { ,
title = {What Future for Interpretive Work in Film and Media Studies?},
journal = {Screen},
volume = {41},
number = {1},
year = {2000},
month = {Spring 2000},
pages = {7-17},
chapter = {7},
ISBN = {1460-2474 (Online)0036-9},
author = {Durant, Alan}
}
@article { ,
title = {Mystery Trains},
journal = {Sight and Sound},
volume = {10},
number = {11},
year = {2000},
month = {Nov 2000},
pages = {12-13},
chapter = {12},
ISBN = {0037-4806},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID00374806 },
author = {Ray, Robert B.}
}
@article { ,
title = {The 'Three Ages' of Cinema Studies and the Age to Come},
journal = {PMLA},
volume = {115},
number = {3},
year = {2000},
month = {May 2000},
pages = {341-351},
chapter = {341},
ISBN = {0030-8129},
URL = {http://0-www.jstor.org.mercury.concordia.ca/journals/00308129.html },
author = {Andrew, Dudley}
}
@article { ,
title = {I cultural studies: testo filmico, contesto della ricezione e spettatore},
journal = {Bianco e Nero},
volume = {41},
number = {4},
year = {2000},
month = {July-August 2000},
pages = {83-94},
chapter = {83},
author = {Pravadelli, Veronica}
}
@article { ,
title = {The University, Disciplines, National Identity: Why is There No Film Studies in Japan?},
journal = {The South Atlantic Quarterly},
volume = {99},
number = {4},
year = {2000},
month = {Fall 2000},
pages = {697-715},
chapter = {697},
ISBN = {0038-28761527-8026 (E-IS},
author = {Yoshimoto, Mitsuhiro}
}
@article { ,
title = {Des DVD dans 15 000 établissements},
journal = {Cahiers du cinéma},
number = {552},
year = {2000},
month = {December 2000},
pages = {14},
ISBN = {075780750008011x},
author = {Guérin, Marie-Anne and Chauvin, Jean-Sébastien}
}
@article { ,
title = {Éducation: Jack Lang prépare l'entrée du cinéma à l'école primaire},
journal = {Cahiers du cinéma},
number = {552},
year = {2000},
month = {Dec 2000},
pages = {12-13, 15-16},
ISBN = {075780750008011x},
author = {Chauvin, Jean-Sébastien}
}
@article { ,
title = {La fin de la méfiance},
journal = {Cahiers du cinéma},
number = {552},
year = {2000},
month = {Dec 2000},
pages = {17},
chapter = {17},
ISBN = {075780750008011x},
author = {Tesson, Charles}
}
@article { ,
title = {Society for Cinema Studies Conference, University of Chicago, 9-12 March 2000},
journal = {Screen},
volume = {41},
number = {3},
year = {2000},
month = {Autumn 2000},
pages = {328-330},
chapter = {328},
ISBN = {0036-9543 (Print)},
author = {Pidduck, Julianne}
}
@article { ,
title = {American Cinema and Hollywood: Critical Approaches / Film Studies: Critical Approches / World Cinema: Critical Approaches},
journal = {Sight and Sound},
volume = {10},
number = {8},
year = {2000},
month = {Aug 2000},
pages = {32},
chapter = {32},
ISBN = {0037-4806},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID00374806 },
author = {Williams, Linda Ruth}
}
@book { ,
title = {Cinema Studies : The Key Concepts},
series = {Routledge Key Guides},
year = {2000},
publisher = {Routledge},
edition = {2nd},
address = {London; New York},
keywords = {Motion pictures Encyclopedias., Cinematography Encyclopedias.},
ISBN = {0415227402},
author = {Hayward, Susan}
}
@book { ,
title = {Cinéma et audio-visuel : nouvelles images, approches nouvelles : actes du colloque organisé par l'A.F.E.C.C.A.V. (Association française des enseignants et chercheurs en cinéma et audio-visuel), Cluny, 24, 25, 26 septembre 1998},
year = {2000},
pages = {275},
publisher = {Harmattan},
address = {Paris},
keywords = {Motion pictures Study and teaching Congresses., Video recording Study and teaching Congresses.},
ISBN = {2738496083},
author = {Murcia, Claude and Vanoye, Francis and Bächler, Odile}
}
@book { ,
title = {Film Theory : An Introduction},
year = {2000},
publisher = {Blackwell},
address = {Malden, Mass},
keywords = {Motion pictures Philosophy.},
ISBN = {063120654X (pbk. alk. pa},
author = {Stam, Robert}
}
@article { ,
title = {Film Studies : Critical Approaches},
year = {2000},
publisher = {Oxford University Press},
address = {Oxford; New York},
abstract = {General introduction / John Hill -- 1. Introduction to film studies / Richard Dyer -- 2. The film text and film form / Robert P. Kolker -- 3. Film acting / Paul McDonald -- 5. Film costume / Paula Church Gibson -- 5. Film music / Claudia Gorbman -- 6. Classic film theory and semiotics / Antony Easthope -- 7. Formalism and neo-formalism / Ian Christie -- 8. Impressionism, surrealism, and film theory / Robert B. Ray -- 9. Film and psychoanalysis / Barbara Creed -- 10. Post-structuralism and deconstruction / Peter Brunette -- 11. Film and postmodernism / John Hill -- 12. Marxism and film / Chuck Kleinhans -- 13. Feminism and film / Patricia White -- 14. Gay and lesbian criticism / Anneke Smelik -- 15. Queer theory / Alexander Doty -- 16. Pornography / Laura Kipnis -- 17. Race, ethnicity, and film / Robyn Wiegman -- 18. Film and cultural identity / Rey Chow -- 19. Film and history / Dudley Andrew -- 20. Sociology and film / Andrew Tudor -- 21. Cultural studies and film / Graeme Turner -- 2. Film audiences / Jostein Gripsrud -- 23. Hermeneutics, reception aesthetics, and film interpretation / Noel King -},
keywords = {Film criticism., Motion pictures History.},
ISBN = {0198742800},
author = {Hill, John and Gibson, Pamela Church and Dyer, Richard and Kaplan, E. Ann and Willemen, Paul}
}
@article { ,
title = {Film and Theory : An Anthology},
year = {2000},
publisher = {Blackwell},
address = {Malden, Mass.},
keywords = {Motion pictures.},
ISBN = {0631206264},
author = {Miller, Toby and Stam, Robert}
}
@article { ,
title = {Film and Theory : An Anthology},
year = {2000},
pages = {862},
publisher = {Blackwell},
address = {Malden, Mass},
keywords = {Motion pictures.},
ISBN = {06312062560631206264},
author = {Stam, Robert and Miller, Toby}
}
@book { ,
title = {La Cinémathèque française de 1936 à nos jours},
series = {CNRS histoire},
year = {2000},
pages = {238},
publisher = {CNRS éditions},
address = {Paris},
keywords = {Cin, émathèque française History.},
ISBN = {2271057302},
author = {Olmeta, Patrick}
}
@book { ,
title = {Making Meaning in Indian Cinema},
year = {2000},
pages = {317},
publisher = {Oxford University Press},
address = {New Delhi ; New York},
abstract = {Contributed seminar papers.},
keywords = {Motion pictures India History., Motion pictures Plots, themes, etc.},
ISBN = {0195645456},
author = {Vasudevan, Ravi}
}
@book { ,
title = {Perverse Spectators : The Practices of Film Reception},
year = {2000},
publisher = {New York University Press},
address = {New York},
keywords = {Motion picture audiences., Film criticism., Motion pictures Philosophy.},
ISBN = {081478139X (pbk. alk. pa},
author = {Staiger, Janet}
}
@book { ,
title = {Reading Cavell's The World Viewed : A Philosophical Perspective on Film},
series = {Contemporary Film and Television Series},
year = {2000},
pages = {294},
publisher = {Wayne State University Press},
address = {Detroit},
keywords = {Motion pictures Philosophy., Cavell, Stanley, 1926- World viewed.},
ISBN = {0814328954},
author = {Rothman, William and Keane, Marian}
}
@book { ,
title = {Reinventing Film Studies},
year = {2000},
publisher = {Arnold ;Co-published in the United States of America by Oxford University Press},
address = {London; New York},
keywords = {Film criticism., Motion pictures Evaluation.},
ISBN = {0340677236},
author = {Williams, Linda and Gledhill, Christine}
}
@book { ,
title = {The Film Studies Dictionary},
year = {2000},
publisher = {Arnold},
address = {London},
keywords = {Motion pictures Dictionaries., Motion picture industry Dictionaries.},
ISBN = {0340741910 },
author = {Blandford, Steve and Grant, Barry Keith and Hillier, Jim}
}
@book { ,
title = {The Cognitive Semiotics of Film},
year = {2000},
publisher = {Cambridge University Press},
address = {Cambridge ; New York},
keywords = {Motion pictures Semiotics.},
ISBN = {0521780055},
author = {Buckland, Warren}
}
@book { ,
title = {The Fruit Machine : Twenty Years of Writings on Queer Cinema},
year = {2000},
pages = {312},
publisher = {Duke University Press},
address = {Durham, N.C.},
keywords = {Homosexuality in motion pictures., Homosexuality and motion pictures., Gay motion picture producers and directors.},
ISBN = {0822324334},
author = {Waugh, Thomas}
}
@article { ,
title = {The Film Studies Reader},
year = {2000},
publisher = {Arnold},
address = {London},
keywords = {Film criticism., Motion pictures Reviews.},
ISBN = {0340692790},
author = {Hollows, Joanne and Jancovich, Mark and Hutchings, Peter}
}
@article { ,
title = {Inventing Film Study and Its Object at Columbia University, 1915-1938},
journal = {Film History},
volume = {12},
number = {4},
year = {2000},
pages = {443-461},
chapter = {443},
ISBN = {0892-21601553-3905 (elec},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID08922160http://0-search.ebscohost.com.mercury.concordia.ca/direct},
author = {Decherney, Peter}
}
@article { ,
title = {The Film Studies Association of Canada},
journal = {Post Script},
volume = {18},
number = {2},
year = {1999},
month = {Winter-Spring 19},
pages = {85-86},
chapter = {85},
author = {Marchessault, Janine and Petric, Graham}
}
@article { ,
title = {Film Theory: Shifting Paradigms and Material Ghosts},
journal = {College English},
volume = {61},
number = {4},
year = {1999},
month = {March 1999},
pages = {475-485},
chapter = {475},
author = {Shetley, Vernon}
}
@article { ,
title = {No Longer a Shot in the Dark: Engineering a Robust Environment for Film Study},
journal = {Computers and the Humanities},
volume = {33},
number = {4},
year = {1999},
month = {December 1999},
pages = {345-363},
chapter = {345},
ISBN = {0010-4817},
author = {Augst, Bertrand and OConnor, Brian}
}
@article { ,
title = {The Nutty Professor: Teaching Film with Jean-Luc Godard},
journal = {Screen},
volume = {50},
number = {3},
year = {1999},
month = {Autumn 1999},
pages = {323-330},
chapter = {323},
ISBN = {0036-9543 (Print)},
author = {Temple, Michael}
}
@book { ,
title = {An Introduction to Film Studies},
year = {1999},
pages = {522},
publisher = {Routledge},
edition = {2nd},
address = {New York},
keywords = {Motion pictures.},
ISBN = {0415173108},
author = {Nelmes, Jill}
}
@book { ,
title = {Cinema-(to)-graphy : Film and Writing in Contemporary Composition Courses},
year = {1999},
pages = {183},
publisher = {Boynton/Cook Publishers},
address = {Portsmouth, NH},
keywords = {English language Rhetoric Study and teaching., Film criticism Authorship Study and teaching., Report writing Study and teaching., Motion pictures in education.},
ISBN = {0867094583},
author = {Bishop, Ellen}
}
@book { ,
title = {Cinematic Political Thought : Narrating Race, Nation, and Gender},
series = {Taking on the Political},
year = {1999},
pages = {176},
publisher = {New York University Press},
address = {New York},
keywords = {Motion pictures Philosophy., Motion pictures Political aspects., Motion pictures History., Politics in motion pictures.},
ISBN = {0814797504},
author = {Shapiro, Michael J.}
}
@book { ,
title = {Experimental Ethnography : The Work of Film in the Age of Video},
year = {1999},
publisher = {Duke University Press},
address = {Durham, N.C.},
keywords = {Documentary films History and criticism., Experimental films History and criticism., Motion pictures in ethnology., Gaze Psychological aspects.},
ISBN = {0822323192 (pbk. alk. pa},
author = {Russell, Catherine}
}
@book { ,
title = {Film Theory and Criticism : Introductory Readings},
year = {1999},
publisher = {Oxford University Press},
edition = {5th},
address = {New York},
keywords = {Motion pictures.},
ISBN = {0195105982},
author = {Braudy, Leo and Cohen, Marshall and Mast, Gerald}
}
@book { ,
title = {Film as Social Practice},
year = {1999},
publisher = {Routledge},
edition = {4th},
address = {New York},
keywords = {Motion pictures Social aspects., Communication.},
ISBN = {9780415375139},
URL = {http://www.loc.gov/catdir/toc/ecip062/2005030194.html },
author = {Turner, Graeme}
}
@book { ,
title = {Practical Film Criticism : An Enlightened Approach to Moviegoing},
series = {Studies in History and Criticism of Film},
year = {1999},
publisher = {Edwin Mellen Press},
address = {Lewiston, N.Y.},
keywords = {Motion pictures.},
ISBN = {0773479678},
author = {Cardullo, Bert}
}
@book { ,
title = {The Arcades Project},
year = {1999},
publisher = {Belknap Press of Harvard University Press},
address = {Cambridge, Mass.},
abstract = {Translated by Howard Eiland and Kevin McLaughlin ; prepared on the basis of the German volume edited by Rolf Tiedemann.},
ISBN = {067404326X },
author = {Benjamin, Walter and Tiedemann, Rolf}
}
@book { ,
title = {Theories of Cinema, 1945-1995},
year = {1999},
note = {Translated by Francesca Chiostri and Elizabeth Gard Bartolini-Salimbeni, with Thomas Kelso. Revised and updated by the author.},
publisher = {University of Texas Press},
edition = {1st},
address = {Austin},
keywords = {Motion pictures Philosophy., Film criticism.},
ISBN = {0292712073 (pbk.)0292712},
author = {Casetti, Francesco}
}
@book { ,
title = {The Eloquence of the Vulgar : Language, Cinema, and the Politics of Culture},
year = {1999},
publisher = {BFI Publishing},
address = {London},
abstract = {A collection of the author's previously published essays},
keywords = {English language Social aspects Great Britain., Literature and society Great Britain., Language and culture Great Britain., Motion pictures and language., Popular culture.},
ISBN = {0851706789 },
author = {MacCabe, Colin}
}
@book { ,
title = {La passion du cinéma: cinéphiles, ciné-clubs et salles spécialisées à Paris de 1920 à 1929},
year = {1999},
publisher = {Association française de recherche sur l'histoire du cinéma: École des Chartes},
address = {Paris},
author = {Gauthier, Christophe}
}
@article { ,
title = {A Response to Peter Lehman's Essay 'Pluralism Versus the Correct Position'},
journal = {Cinema Journal},
number = {37},
year = {1998},
month = {Winter 1998},
pages = {92-95},
chapter = {92},
ISBN = {0009-71011527-2087},
author = {Minnis, Stuart}
}
@article { ,
title = {Reply to David Bordwell},
journal = {Cinema Journal},
number = {37},
year = {1998},
month = {Winter 1998},
pages = {90-92},
chapter = {90},
ISBN = {0009-71011527-2087},
author = {Lehman, Peter}
}
@article { ,
title = {Readjusting the Agenda: Reply to Jan Olsson},
journal = {Screen},
volume = {39},
number = {1},
year = {1998},
month = {Spring 1998},
pages = {91-92},
chapter = {91},
ISBN = {1460-2474 (Online)0036-9},
author = {Göran, Bolin and Forsman, Michael}
}
@article { ,
title = {Theorizing Historicity, or the Many Meanings of Blacula},
journal = {Screen},
volume = {39},
number = {1},
year = {1998},
month = {Spring 1998},
pages = {1-21},
chapter = {1},
ISBN = {0036-9543 (Print)},
author = {Medovoi, Leerom}
}
@article { ,
title = {The Video Revolution is a Threat to Classes in Film Studies},
journal = {The Chronicle of Higher Education},
volume = {44},
number = {1},
year = {1998},
month = {January 1998},
ISBN = {000959820009-5982},
author = {Sklar, Robert}
}
@book { ,
title = {Film Studies},
year = {1998},
pages = {162},
publisher = {NTC/Contemporary Pub.},
address = {Lincolnwood, Ill.},
keywords = {Film criticism., Motion pictures.},
ISBN = {0844202304},
author = {Buckland, Warren}
}
@book { ,
title = {The Material Ghost : Films and their Medium},
year = {1998},
publisher = {Johns Hopkins University Press},
address = {Baltimore},
keywords = {Film criticism., Motion pictures Philosophy.},
ISBN = {0801856736 (alk. paper)},
author = {Perez, Gilberto}
}
@article { ,
title = {The Oxford Guide to Film Studies},
year = {1998},
publisher = {Oxford University Press},
address = {New York},
keywords = {Film criticism., Motion pictures.},
ISBN = {0198711247},
author = {Hill, John and Gibson, Pamela Church}
}
@article { ,
title = {Dialogue: Preaching Pluralism: Pluralism, Truth, and Scholarly Inquiry in Film Studies},
journal = {Cinema Journal},
volume = {37},
number = {2},
year = {1998},
pages = {84-90},
chapter = {84},
ISBN = {0009-71011527-2087},
author = {Bordwell, David}
}
@article { ,
title = {Motion Picture Press Kits: A Resource for Film Study},
journal = {Film & History},
volume = {28},
number = {1-2},
year = {1998},
pages = {50-54},
chapter = {50},
author = {Leuschner, Eric}
}
@article { ,
title = {Cinema, Discourse, and Event},
journal = {Journal of the University Film & Video Association},
volume = {32},
number = {1-2},
year = {1997},
month = {Winter-Spring 19},
pages = {79-84},
chapter = {79},
author = {Koch, C.}
}
@article { ,
title = {Pluralism Versus The Correct Position},
journal = {Cinema Journal},
number = {36},
year = {1997},
month = {Winter 1997},
pages = {114-119},
chapter = {114},
ISBN = {0009-71011527-2087},
author = {Lehman, Peter}
}
@article { ,
title = {Cinema Studies in the Age of Global Media, University of Chicago, 13 April 1996},
journal = {Screen},
volume = {38},
number = {2},
year = {1997},
note = {A symposium organized at the University of Chicago to discuss the future of cinema studies as it faces changes brought on by new digital technologies.},
month = {Summer 1997},
pages = {195-199},
chapter = {195},
ISBN = {0036-9543 (Print)},
author = {Peterson, Jennifer and Stewart, Jacqueline}
}
@article { ,
title = {Film Studies in South Africa},
journal = {Screen},
volume = {38},
number = {2},
year = {1997},
month = {Summer 1997},
pages = {190-191},
chapter = {190},
ISBN = {0036-9543 (Print)},
author = {Maingard, Jacqueline}
}
@article { ,
title = {Remapping: Another Look at Cinema Studies in Sweden},
journal = {Screen},
volume = {38},
number = {2},
year = {1997},
month = {Summer 1997},
pages = {191-195},
chapter = {191},
ISBN = {0036-9543 (Print)},
author = {Olsson, Jan}
}
@article { ,
title = {Film and English/American Studies: What are We Doing in an English Department?},
journal = {Critical Quarterly},
number = {39},
year = {1997},
month = {Spring 1997},
pages = {42-50},
chapter = {42},
author = {Landy, Marcia}
}
@article { ,
title = {Films, The Material Ghost},
journal = {Raritan},
number = {16},
year = {1997},
month = {Spring 1997},
pages = {106-126},
chapter = {106},
author = {Perez, Gilberto}
}
@article { ,
title = {On Dangerous Ground: Film Studies in Australia},
journal = {Screen},
volume = {38},
number = {1},
year = {1997},
month = {Spring 1997},
pages = {76-81},
chapter = {76},
ISBN = {0036-9543 (Print)},
author = {Kouvaros, George}
}
@article { ,
title = {Teaching Digital Media},
journal = {Cinema Journal},
number = {36},
year = {1997},
month = {Spring 1997},
pages = {117-122},
chapter = {117},
ISBN = {0009-71011527-2087},
author = {Mamber, Stephen}
}
@article { ,
title = {Film Theory Meets Analytic Philosophy; or, Film Studies and l'Affaire Sokal},
journal = {Institute for Cognitive Studies in Film and Video Electronic Newsletter},
volume = {3},
number = {1},
year = {1997},
note = {Special Edition},
month = {November 1997},
author = {Smith, Murray}
}
@article { ,
title = {Film Studies in Post-War Poland: Tradition and Innovation},
journal = {Canadian Slavonic Papers},
volume = {39},
number = {1-2},
year = {1997},
month = {Mar-Jun 1997},
pages = {123-137},
chapter = {123},
author = {Helman, Alicja and Osadnik, Waclaw M.}
}
@book { ,
title = {Film School Confidential : The Insider's Guide to Film Schools},
year = {1997},
pages = {260},
publisher = {Berkeley Publishing Group},
edition = {1st},
address = {New York},
keywords = {Motion pictures Study and teaching (Graduate) United States Directories.},
ISBN = {0399523391},
author = {Kelly, Karin and Edgar, Tom}
}
@article { ,
title = {Film Theory and Philosophy},
year = {1997},
pages = {474},
publisher = {Clarendon Press; Oxford University Press},
address = {Oxford; New York},
keywords = {Motion pictures Philosophy.},
ISBN = {0198159218},
author = {Allen, Richard and Smith, Murray}
}
@book { ,
title = {Hermeneutics of Poetic Sense : Critical Studies of Literature, Cinema, and Cultural History},
year = {1997},
pages = {169},
publisher = {University of Toronto Press},
address = {Toronto},
keywords = {Criticism., Hermeneutics., Reader-response criticism.},
ISBN = {0802042430},
author = {Valdés, Mario J.}
}
@book { ,
title = {Movies and Meaning : An Introduction to Film},
year = {1997},
publisher = {Allyn and Bacon},
address = {Boston},
keywords = {Motion pictures.},
ISBN = {0023968060 (alk. paper)},
author = {Prince, Stephen}
}
@book { ,
title = {On the History of Film Style},
year = {1997},
publisher = {Harvard University Press},
address = {Cambridge, Mass.},
keywords = {Motion pictures Aesthetics., Motion pictures Historiography.},
ISBN = {0674634292 },
author = {Bordwell, David}
}
@book { lefebvre_psycho-,
title = {Psycho: de la figure au musée imaginaire: Théorie et pratique de l'acte de spectature},
year = {1997},
pages = {253},
publisher = {Harmattan},
type = {book},
address = {Montreal},
keywords = {Criticism and interpretation,Hitchcock, Alfred,Psycho (Motion picture)},
ISBN = {2894890354},
author = { Lefebvre, Martin }
}
@article { ,
title = {Proceedings of the Conference of Film Pragmatics. Amsterdam, March 1992},
year = {1997},
publisher = {Nodus},
address = {Münster},
author = {Müller, Jurgen}
}
@inbook { ,
title = {Sound, Epistemology, Film},
booktitle = {Film Theory and Philosophy},
editor = {Allen, Richard; Smith, Murray},
year = {1997},
pages = {95-125},
publisher = {Clarendon Press},
address = {Oxford},
keywords = {Motion pictures Philosophy.},
ISBN = {0198159218},
author = {Branigan, Edward}
}
@book { ,
title = {The Aesthetics and Psychology of the Cinema},
year = {1997},
note = {Translated by Christopher King},
pages = {403},
publisher = {Indiana University Press},
address = {Bloomington},
keywords = {Motion pictures Aesthetics., Motion pictures Psychological aspects.},
ISBN = {0253333024},
author = {Mitry, Jean}
}
@inbook { ,
title = {The Film Theory That Never Was},
booktitle = {Film Theory and Philosophy},
editor = {Allen, Richard; Smith, Murray},
year = {1997},
pages = {42-59},
publisher = {Clarendon Press},
address = {Oxford},
keywords = {Motion pictures Philosophy.},
ISBN = {0198159218},
author = {Currie, Gregory}
}
@article { ,
title = {Film Studies on the Internet},
journal = {Choice},
number = {34},
year = {1997},
pages = {56-58},
chapter = {56},
author = {Williams, H. C.}
}
@article { ,
title = {State of the Art - 25 Years Later},
journal = {Literature Film Quarterly},
volume = {25},
number = {1},
year = {1997},
pages = {2-6},
chapter = {2},
ISBN = {0090-4260},
URL = {http://0-search.ebscohost.com.mercury.concordia.ca/direct.asp?db=ufh&jid=%22LFQ%22&scope=sitehttp://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:contents:abl_toc/Literature},
author = {Welsh, James-Michael}
}
@article { ,
title = {Annual Bibliography of Film Studies - 1995},
journal = {Post Script},
volume = {15},
number = {3},
year = {1996},
note = {Post script (Jacksonville, Fla.)Post script.Postscript.ill. ; 22 cm."Essays in film and the humanities."Published: Commerce, TX., Description based on surrogate; title from cover.Some issues have also distinctive titles.},
month = {Summer 1996},
pages = {54-84},
publisher = {Post Script Inc.},
chapter = {54},
address = {Jacksonville, Fla.},
keywords = {Motion picture plays History and criticism Periodicals., Electronic journals.},
ISBN = {0277-98970227-9897},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID02779897 },
author = {Telotte, J.P.}
}
@article { ,
title = {The Six-Gun Simulacrum: New Metaphors for an Old Genre},
journal = {Film Criticism},
volume = {20},
number = {3},
year = {1996},
month = {Spring 1996},
pages = {52-70},
chapter = {52},
ISBN = {0163-5069},
author = {Reed, Toby and Thompson, R.J.}
}
@article { ,
title = {Certifying Culture and Media: Anthropology Meets Cinema Studies},
journal = {Media International Australia},
number = {82},
year = {1996},
month = {November 1996},
pages = {66-72},
chapter = {66},
author = {Ginsburg, Faye and Miller, Toby}
}
@article { ,
title = {Teacher's Pet Hates},
journal = {Sight and Sound},
volume = {6},
number = {1},
year = {1996},
month = {Nov 1996},
pages = {32-33},
chapter = {32},
ISBN = {0037-4806},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID00374806 },
author = {Smith, Paul Julian}
}
@article { ,
title = {The Semi-Semiotics of Film: Social Semiotic Methodology for Film Studies},
journal = {Film Criticism},
number = {20},
year = {1996},
month = {Fall/Winter 1995},
pages = {39-54},
chapter = {39},
ISBN = {0163-5069},
author = {Harries, Dan}
}
@book { ,
title = {Beyond Theory : Changing Organizations Through Participation},
series = {Dialogues on work and innovation ; v. 2.},
year = {1996},
publisher = {John Benjamins Pub.},
address = {Philadelphia, PA},
keywords = {Organizational change., Action research., Management Employee participation.},
ISBN = {90272177261556198264 (al},
author = {Toulmin, Stephen Edelston and Gustavsen, Björn}
}
@inbook { ,
title = {Contemporary Film Studies and the Vicissitudes of Grand Theory},
booktitle = {Post-Theory: Reconstructing Film Studies},
editor = {Bordwell, David; Carroll, Noël},
year = {1996},
pages = {3-36},
publisher = {University of Wisconsin Press},
address = {Madison},
keywords = {Motion pictures},
ISBN = {0299149404},
author = {Bordwell, David}
}
@book { ,
title = {Post-theory : Reconstructing Film Studies},
series = {Wisconsin studies in film},
year = {1996},
pages = {564},
publisher = {University of Wisconsin Press},
address = {Madison},
keywords = {Motion pictures.},
ISBN = {0299149404},
author = {Bordwell, David and Carroll, Noël}
}
@inbook { ,
title = {Prospects for Film Theory: A Personal Assessment},
booktitle = {Post-Theory: Reconstructing Film Studies},
editor = {Bordwell, David; Carroll, Noël},
year = {1996},
publisher = {University of Wisconsin Press},
address = {Madison},
keywords = {Motion pictures.},
ISBN = {0299149404 },
author = {Carroll, Noël}
}
@article { ,
title = {Pour un cinéma comparé: influences et répétitions},
year = {1996},
pages = {422},
publisher = {Cinémathèque française, Musée du cinéma},
address = {Paris},
keywords = {Cinema},
ISBN = {2900596165},
author = {Aumont, Jacques}
}
@book { ,
title = {Theorizing the Moving Image},
series = {Cambridge Studies in Film},
year = {1996},
publisher = {Cambridge University Press},
address = {New York},
keywords = {Motion pictures Philosophy., Television Philosophy., Television broadcasting Philosophy.},
ISBN = {05214604920521466075 },
author = {Carroll, Noël}
}
@inbook { ,
title = {The Case for an Ecological Metatheory},
booktitle = {Post-Theory: Reconstructing Film Studies},
editor = {Bordwell, David; Carroll, Noël},
year = {1996},
pages = {347-367},
publisher = {University of Wisconsin Press},
address = {Madison},
keywords = {Motion pictures.},
ISBN = {0299149404 },
author = {Anderson, Joseph and Anderson, Barbara}
}
@inbook { ,
title = {Psychoanalytic Film Theory and the Problem of the Missing Spectator},
booktitle = {Post-Theory: Reconstructing Film Studies},
editor = {Bordwell, David; Carroll, Noël},
year = {1996},
publisher = {University of Wisconsin Press},
address = {Madison},
ISBN = {0299149404 (cloth alk. p},
author = {Prince, Stephen}
}
@article { ,
title = {Evaluating the Text: Canon Formation and Screen Scholarship},
journal = {Cinema Journal},
volume = {24},
number = {2},
year = {1995},
month = {Winter 1985},
pages = {62-65},
chapter = {62},
ISBN = {0009-71011527-2087},
URL = {http://0-muse.jhu.edu.mercury.concordia.ca/journals/cj/http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID00097101ht},
author = {Wexman, Virginia Wright}
}
@article { ,
title = {Annual Bibliography of Film Studies - 1994},
journal = {Post Script},
volume = {14},
number = {3},
year = {1995},
note = {Post script (Jacksonville, Fla.)Post script.Postscript.ill. ; 22 cm."Essays in film and the humanities."Published: Commerce, TX., Description based on surrogate; title from cover.Some issues have also distinctive titles.},
month = {Summer 1995},
pages = {51-74},
publisher = {Post Script Inc.},
chapter = {51},
address = {Jacksonville, Fla.},
keywords = {Motion picture plays History and criticism Periodicals., Electronic journals.},
ISBN = {0277-98970227-9897},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID02779897 },
author = {Telotte, J.P.}
}
@article { ,
title = {Teaching Film With Laserdiscs},
journal = {Cinema Journal},
number = {34},
year = {1995},
month = {Summer 1995},
pages = {78-83},
chapter = {78},
ISBN = {0009-71011527-2087},
author = {Costanzo, William}
}
@article { ,
title = {The Need for, and the Scandal of, Film in the Curriculum},
journal = {New England Review},
number = {17},
year = {1995},
month = {Summer 1995},
pages = {89-96},
chapter = {89},
author = {Sitney, P. Adams}
}
@article { ,
title = {L'art et la manière enfants à la caméra},
journal = {Cahiers du cinéma},
number = {494},
year = {1995},
month = {Sept 1995},
pages = {68-77},
chapter = {68},
ISBN = {075780750008011x},
author = {Roth, Laurent and others}
}
@article { ,
title = {Scholars Contemplate the Future of Film Studies in a World of Fast-Changing Technology},
journal = {The Chronicle of Higher Education},
volume = {42},
number = {9},
year = {1995},
month = {October 27, 1995},
pages = {A17},
ISBN = {000959820009-5982},
author = {Heller, Scott}
}
@article { ,
title = {Les mots de l'histoire du cinéma},
journal = {Cahiers du cinéma},
number = {496},
year = {1995},
month = {Nov 1995},
pages = {48-54},
chapter = {48},
ISBN = {075780750008011x},
author = {Baecque, Antoine de}
}
@article { ,
title = {Sir Karl Popper (1902-94): Essentialism and Historicism in Film Methodology},
journal = {Historical Journal of Film, Radio and Television},
volume = {15},
number = {2},
year = {1995},
month = {June 1995},
pages = {301-305},
chapter = {301},
ISBN = {0143-9685 (print)1465-34},
URL = {http://0-www.informaworld.com.mercury.concordia.ca/openurl.asp?genre=journal&issn=0143-9685http://0-search.ebscohost.com.mercury.concordia.ca/direct.asp?db=ufh&jid=%22HFT%22&scope=sitehttp://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.},
author = {Jarvie, Ian C.}
}
@article { ,
title = {Cinéma et Histoire: Bilan historiographique},
journal = {Vingtième siècle},
number = {46},
year = {1995},
month = {April-June 1995},
pages = {5-13},
chapter = {5},
author = {Pithon, Rémy}
}
@book { ,
title = {Film Study in the High School},
year = {1995},
publisher = {Fordham Film Study Center Fordham University},
address = {Bronx, N.Y.},
abstract = {Reprinted from Catholic High School Quarterly Bulletin, October 1965},
keywords = {Motion pictures Evaluation., Motion pictures Study and teaching.},
ISBN = {0964972301},
author = {Culkin, John M.}
}
@book { ,
title = {Image and Mind : Film, Philosophy and Cognitive Science},
year = {1995},
publisher = {Cambridge University Press},
address = {Cambridge, England; New York, NY},
keywords = {Motion pictures Philosophy.},
ISBN = {0521453569},
author = {Currie, Gregory}
}
@inbook { ,
title = {Imagination and Simulation: Aesthetics Meets Cognitive Science},
booktitle = {Mental Simulation},
editor = {Allen, Richard; Smith, Murray},
year = {1995},
publisher = {Blackwell},
address = {Oxford, UK; Cambridge, Mass.},
keywords = {Insight., Intuition., Thought and thinking.},
ISBN = {0631198733},
author = {Currie, Gregory}
}
@book { ,
title = {Projecting Illusion : Film Spectatorship and the Impression of Reality},
series = {Cambridge studies in film},
year = {1995},
pages = {176},
publisher = {Cambridge University Press},
address = {Cambridge ; New York},
keywords = {Motion pictures Philosophy., Motion picture audiences.},
ISBN = {0521470153},
author = {Allen, Richard}
}
@book { ,
title = {Placing Movies : The Practice of Film Criticism},
year = {1995},
publisher = {University of California Press},
address = {Berkeley},
keywords = {Motion pictures Reviews., Film criticism.},
ISBN = {0520086325 (alk. paper)0},
author = {Rosenbaum, Jonathan}
}
@article { ,
title = {Philosophy and Film},
year = {1995},
publisher = {Routledge},
address = {New York},
keywords = {Motion pictures Philosophy.},
ISBN = {041590921X },
author = {Freeland, Cynthia A. and Wartenberg, Thomas E.}
}
@book { ,
title = {Film Studies, the New Cultural History and the Experience of Modernity},
year = {1995},
publisher = {Centre for Contemporary Studies, Nehru Memorial Museum and Library},
address = {New Delhi},
author = {Vasudevan, Ravi}
}
@article { ,
title = {Film History and Film Archives},
journal = {Literature Film Quarterly },
volume = {23},
number = {2},
year = {1995},
pages = {102-109},
ISBN = {0090-4260},
URL = {http://0-search.ebscohost.com.mercury.concordia.ca/direct.asp?db=ufh&jid=%22LFQ%22&scope=sitehttp://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:contents:abl_toc/Literature},
author = {Black, Gregory}
}
@article { ,
title = {Métatextualité filmique: vers une métacritique},
journal = {Cinémas : revue d'études cinématographiques = journal of film studies},
volume = {5},
number = {3},
year = {1995},
pages = {165-178},
chapter = {165},
ISBN = {1705-6500 (electronic)11},
URL = {http://www.revue-cinemas.umontreal.ca/numeros.htmhttp://www.erudit.org/revue/cine/ },
author = {Lefebvre, Martin}
}
@article { ,
title = {Politics, Film Studies, and the Academy: A Commentary},
journal = {Journal of Film and Video},
volume = {46},
number = {4},
year = {1994},
month = {Winter 1994},
pages = {42-56},
chapter = {42},
ISBN = {0742-4671},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID07424671http://0-search.ebscohost.com.mercury.concordia.ca/direct},
author = {Worland, Rick}
}
@article { ,
title = {Annual Bibliography of Film Studies - 1993},
journal = {Post Script},
volume = {12},
number = {3},
year = {1994},
note = {Post script (Jacksonville, Fla.)Post script.Postscript.ill. ; 22 cm."Essays in film and the humanities."Published: Commerce, TX., Description based on surrogate; title from cover.Some issues have also distinctive titles.},
month = {Summer 1994},
pages = {62-88},
publisher = {Post Script Inc.},
chapter = {62},
address = {Jacksonville, Fla.},
keywords = {Motion picture plays History and criticism Periodicals., Electronic journals.},
ISBN = {0277-98970227-9897},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID02779897 },
author = {Telotte, J.P.}
}
@article { ,
title = {Teaching Film in the 1990s},
journal = {English Journal},
volume = {83},
number = {1},
year = {1994},
month = {January 1994},
pages = {39-47},
chapter = {39},
ISBN = {0013-827400138274},
author = {Fehlman, Richard}
}
@book { ,
title = {Film at the Intersection of High and Mass Culture},
series = {Cambridge studies in film},
year = {1994},
publisher = {Cambridge University Press},
address = {Cambridge England ; New York},
keywords = {Motion pictures Philosophy., Film genres., Popular culture.},
ISBN = {0521444721},
author = {Coates, Paul}
}
@book { ,
title = {Feminist Media Studies},
year = {1994},
pages = {173},
publisher = {Sage},
address = {London; Thousand Oaks, CA},
keywords = {Feminism Role of Media, Mass media and women., Feminist criticism., Mass media and sex.},
ISBN = {08039855330803985541},
author = {Zoonen, Liesbet van}
}
@book { ,
title = {Looks and Frictions : Essays in Cultural Studies and Film Theory},
year = {1994},
pages = {263},
publisher = {Indiana University Press; British Film Institute},
address = {Bloomington; London},
keywords = {Motion pictures History., Film criticism.},
ISBN = {0851703984},
author = {Willemen, Paul}
}
@book { ,
title = {Sociology and Visual Representation},
year = {1994},
publisher = {Routledge},
address = {London ; New York},
keywords = {Art and society History 20th century., Visual communication.},
ISBN = {0415073634},
author = {Chaplin, Elizabeth}
}
@book { ,
title = {The Transparent I : Self/Subject in European Cinema},
series = {Comparative Literary and Film Studies ; vol. 2},
year = {1994},
publisher = {P. Lang},
address = {New York},
keywords = {Motion pictures Philosophy., Motion pictures Europe., Self (Philosophy), Deconstruction.},
ISBN = {0820422827},
author = {Snyder, Stephen}
}
@book { ,
title = {Classified! A Teachers' Guide to Film and Video Censorship and Classification},
year = {1994},
pages = {141},
publisher = {BFI},
address = {London},
author = {Falcon, Richard}
}
@article { ,
title = {Cavell's Philosophy and What Film Studies Calls ''Theory'': Must the Field of Film Studies Speak in One Voice?},
journal = {Philosophy and Film},
number = {2},
year = {1994},
author = {Rothman, William}
}
@article { ,
title = {The Persistence of Vision: The Re-Emergence of Phenomenological Theories of Film},
journal = {Film and Philosophy},
number = {1},
year = {1994},
pages = {29-38},
chapter = {29},
author = {Sweeney, Kevin}
}
@article { ,
title = {Film Studies, Inc.: Lessons from the Past About the Current Institutionalization of Film Studies},
journal = {Film Criticism},
volume = {42},
number = {2-3},
year = {1993},
month = {Winter-Sprint 19},
pages = {22-30},
chapter = {22},
ISBN = {0163-5069},
author = {Altman, Rick}
}
@article { ,
title = {Critical Positions and The End of Civilization; or, A Refusal to Join the Club},
journal = {Film Criticism},
volume = {17},
number = {2-3},
year = {1993},
month = {Winter-Spring 19},
pages = {79-92},
chapter = {79},
ISBN = {0163-5069},
author = {Wood, Robin}
}
@article { ,
title = {Film Studies in Search of the Object},
journal = {Film Criticism},
volume = {42},
number = {2-3},
year = {1993},
month = {Winter-Spring 19},
pages = {40-47},
chapter = {40},
ISBN = {0163-5069},
author = {Elsaesser, Thomas}
}
@article { ,
title = {Interpretation, Inc.},
journal = {Film Criticism},
volume = {42},
number = {2-3},
year = {1993},
note = {Special double issueEdited by David Bordwell},
month = {Winter-Spring 19},
pages = {1-120},
chapter = {1},
ISBN = {0163-5069},
author = {Michaels, L. and others}
}
@article { ,
title = {Making Sense},
journal = {Film Criticism},
volume = {17},
number = {2-3},
year = {1993},
month = {Winter-Spring 19},
pages = {31-39},
chapter = {31},
ISBN = {0163-5069},
author = {Cook, D.A.}
}
@article { ,
title = {On the Analysis of Interpretive Language. Part 1./ Critical Positions and the End of Civilization; Or, a Refusal to Join the Club./ Film Interpretation Revisited},
journal = {Film Criticism},
volume = {17},
number = {2-3},
year = {1993},
month = {Winter-Spring 19},
pages = {4-21, 79-119},
chapter = {4},
ISBN = {0163-5069},
author = {Branigan, Edward and Wood, Robin and Bordwell, David}
}
@article { ,
title = {Film Studies / Crisis / Experimentation},
journal = {Film Criticism},
volume = {17},
number = {2-3},
year = {1993},
month = {Winter - Spring },
pages = {56-78},
chapter = {56},
ISBN = {0163-5069},
author = {Ray, Robert B.}
}
@article { ,
title = {Annual Bibliography of Film Studies - 1992},
journal = {Post Script},
volume = {12},
number = {3},
year = {1993},
note = {Post script (Jacksonville, Fla.)Post script.Postscript.ill. ; 22 cm."Essays in film and the humanities."Published: Commerce, TX., Description based on surrogate; title from cover.Some issues have also distinctive titles.},
month = {Summer 1993},
pages = {52-79},
publisher = {Post Script Inc.},
chapter = {52},
address = {Jacksonville, Fla.},
keywords = {Motion picture plays History and criticism Periodicals., Electronic journals.},
ISBN = {0277-98970227-9897},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID02779897 },
author = {Telotte, J.P.}
}
@article { ,
title = {Film Theory and Aesthetics: Notes on a Schism},
journal = {Journal of Aesthetics and Art Criticism},
volume = {51},
number = {3},
year = {1993},
month = {Summer 1993},
pages = {445-454},
chapter = {445},
author = {Platinga, Carl}
}
@article { ,
title = {Film Studies in Canada},
journal = {Screen},
volume = {34},
number = {2},
year = {1993},
month = {Summer 1993},
pages = {176-177},
chapter = {176},
ISBN = {0036-9543 (Print)},
author = {Straw, Will}
}
@article { ,
title = {[no title]},
journal = {Film Quarterly},
volume = {46},
number = {3},
year = {1993},
month = {Spring 1993},
pages = {62-63},
chapter = {62},
ISBN = {0015-1386},
author = {Callenbach, Ernest}
}
@article { ,
title = {The Discourse of Pictures: Iconicity and Film Studies},
journal = {Film Quarterly},
volume = {47},
number = {1},
year = {1993},
month = {Fall 1993},
pages = {16-28},
chapter = {16},
ISBN = {0015-1386},
author = {Prince, Stephen}
}
@article { ,
title = {Textual Obsessions: Methodology, History and Researching Female Spectatorship},
journal = {Screen},
volume = {34},
number = {3},
year = {1993},
month = {Autumn 1993},
pages = {260-274},
chapter = {260},
ISBN = {0036-9543 (Print)},
author = {Stacey, Jackie}
}
@book { ,
title = {Carnivals and Commonplaces : Bakhtin's Chronotope, Cultural Studies, and Film},
series = {American university studies. Series IV, English language and literature, vol. 173.},
year = {1993},
publisher = {P. Lang},
address = {New York},
keywords = {Motion pictures Aesthetics., Bakhtin, M. M. 1895-1975., Film genres., Motion pictures Social aspects., Popular culture.},
ISBN = {0820421944},
author = {Montgomery, Michael V.}
}
@book { ,
title = {Melodrama and Asian cinema},
series = {Cambridge studies in film},
year = {1993},
publisher = {Cambridge University Press},
address = {Cambridge ; New York},
keywords = {Motion pictures Asia., Melodrama in motion pictures.},
ISBN = {0521414652},
author = {Dissanayake, Wimal}
}
@inbook { ,
title = {Overview: What is American about Film Study in America? },
booktitle = {Melodrama and Asian Cinema},
editor = {Dissanayake, Wimal},
year = {1993},
publisher = {Cambridge University Press},
address = {Cambridge; New York},
ISBN = {0521414652},
author = {Rothman, William}
}
@article { ,
title = {Contemporary Directions in Film Theory: An Introduction},
journal = {Post Script},
volume = {13},
number = {1},
year = {1993},
pages = {3-9},
chapter = {3},
author = {Prince, Stephen}
}
@book { ,
title = {On the Eloquence of the Vulgar: A Justification of the Study of Film and Television},
year = {1993},
pages = {32},
publisher = {BFI},
address = {London},
ISBN = {08517039419780851703947},
author = {MacCabe, Colin}
}
@book { ,
title = {Perceiving the Visual in Cinema: Semantic Approaches to Film Form and Meaning},
year = {1993},
publisher = {Jyväskylän Yliopisto},
address = {Jyväskylä},
author = {Valkola, Jarmo}
}
@article { ,
title = {Annual Bibliography of Film Studies - 1991},
journal = {Post Script},
volume = {11},
number = {3},
year = {1992},
note = {Post script (Jacksonville, Fla.)Post script.Postscript.ill. ; 22 cm."Essays in film and the humanities."Published: Commerce, TX., Description based on surrogate; title from cover.Some issues have also distinctive titles.},
month = {Summer 1992},
pages = {53-80},
publisher = {Post Script Inc.},
chapter = {53},
address = {Jacksonville, Fla.},
keywords = {Motion picture plays History and criticism Periodicals., Electronic journals.},
ISBN = {0277-98970227-9897},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID02779897 },
author = {Telotte, J.P.}
}
@article { ,
title = {Cognitivism, Contemporary Film Theory and Method},
journal = {Journal of Dramatic Theory and Criticism},
volume = {6},
number = {2},
year = {1992},
month = {Spring 1992},
pages = {199-219},
chapter = {199},
ISBN = {0888-3203},
author = {Carroll, Noël}
}
@article { ,
title = {Film Study - The Mind's Eye},
journal = {School Library Journal},
volume = {38},
number = {2},
year = {1992},
month = {February 1992},
pages = {54},
chapter = {54},
ISBN = {0362-893003628930},
author = {Akey, Kathy}
}
@book { ,
title = {De l'histoire du cinéma : méthode historique et histoire du cinéma},
series = {Cinéma et audiovisuel},
year = {1992},
pages = {298},
publisher = {Armand Colin},
address = {Paris},
keywords = {Motion pictures Historiography.},
ISBN = {2200330847},
author = {Lagny, Michèle}
}
@book { ,
title = {Frameworks : An Introduction to Film Studies},
year = {1992},
publisher = {Wm. C. Brown},
address = {Dubuque, IA},
keywords = {Motion pictures., Film criticism.},
ISBN = {0697111261},
author = {Valasek, Thomas E.}
}
@article { ,
title = {Film Theory and Criticism : Introductory Readings},
year = {1992},
publisher = {Oxford University Press},
edition = {4th},
address = {New York},
keywords = {Motion pictures.},
ISBN = {0195063988},
author = {Mast, Gerald and Cohen, Marshall and Braudy, Leo}
}
@book { ,
title = {Hitchcock : The Making of a Reputation},
year = {1992},
publisher = {University of Chicago Press},
address = {Chicago},
keywords = {Hitchcock, Alfred, 1899-1980 Criticism and interpretation., Hitchcock, Alfred, 1899-1980 Appreciation., Detective and mystery films History and criticism.},
ISBN = {0226424871},
author = {Kapsis, Robert E.}
}
@book { ,
title = {Interpreting Films : Studies in the Historical Reception of American Cinema},
year = {1992},
publisher = {Princeton University Press},
address = {Princeton, N.J.},
keywords = {Motion pictures Aesthetics., Reader-response criticism., Motion pictures United States.},
ISBN = {0691047979},
author = {Staiger, Janet}
}
@book { ,
title = {Narrative Comprehension and Film},
year = {1992},
note = {Edward Branigan.},
publisher = {Routledge},
address = {London; New York},
keywords = {Motion pictures and literature., Narration (Rhetoric), Motion picture plays History and criticism.},
ISBN = {0415075114},
author = {Branigan, Edward}
}
@book { ,
title = {Reading the Movies : Twelve Great Films on Video and How to Teach Them},
year = {1992},
publisher = {National Council of Teachers of English},
address = {Urbana, Ill.},
keywords = {Motion pictures Study and teaching., Motion pictures and literature., Motion pictures Philosophy., Film criticism.},
ISBN = {0814139108},
author = {Costanzo, William V.}
}
@book { ,
title = {Shared Pleasures : A History of Movie Presentation in the United States},
series = {Wisconsin Studies in Film},
year = {1992},
publisher = {University of Wisconsin Press},
address = {Madison, Wis.},
abstract = {Foreword by David Bordwell},
keywords = {Motion picture industry United States History., Motion pictures United States Marketing., Motion picture audiences United States.},
ISBN = {0299132102},
author = {Gomery, Douglas}
}
@book { ,
title = {The Essential Peirce : Selected Philosophical Writings},
editor = {Houser, Nathan; Kloesel, Christian J. W.; Peirce Edition Project; Eller, Jonathan R.; Lewis, Albert C.; De Tienne, André; Clark, Cathy L.; Davis, D. Bront},
year = {1992},
publisher = {University of Indiana Press},
address = {Bloomington},
keywords = {Philosophy.},
ISBN = {0253211905 (v. 2)0253328},
author = {Peirce, Charles S.}
}
@book { ,
title = {The Ways of Film Studies : Film Theory & The Interpretation of Films},
year = {1992},
publisher = {Ajanta Publications},
address = {Delhi},
keywords = {Motion pictures Aesthetics., Film criticism Philosophy., Motion pictures India.},
ISBN = {8120203488},
author = {Roberge, Gaston}
}
@article { ,
title = {Annual Bibliography of Film Studies - 1990},
journal = {Post Script},
volume = {10},
number = {3},
year = {1991},
note = {Post script (Jacksonville, Fla.)Post script.Postscript.ill. ; 22 cm."Essays in film and the humanities."Published: Commerce, TX., Description based on surrogate; title from cover.Some issues have also distinctive titles.},
month = {Summer 1991},
pages = {49-76},
publisher = {Post Script Inc.},
chapter = {49},
address = {Jacksonville, Fla.},
keywords = {Motion picture plays History and criticism Periodicals., Electronic journals.},
ISBN = {0277-98970227-9897},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID02779897 },
author = {Telotte, J.P.}
}
@article { ,
title = {Film History in the 1980s},
journal = {The Velvet Light Trap},
number = {27},
year = {1991},
month = {Spring 1991},
pages = {3-8},
chapter = {3},
ISBN = {0149-1830},
URL = {http://0-search.ebscohost.com.mercury.concordia.ca/direct.asp?db=aph&jid=%228I3%22&scope=site },
author = {Buscombe, Edward}
}
@article { ,
title = {The Difficulty of Being Radical: The Discipline of Film Studies and the Postcolonial World Order},
journal = {Boundary 2},
volume = {18},
number = {3},
year = {1991},
month = {Fall 1991},
pages = {242},
chapter = {242},
ISBN = {1527-2141 (electronic)01},
URL = {http://0-boundary2.dukejournals.org.mercury.concordia.ca/archive/http://0-muse.jhu.edu.mercury.concordia.ca/journals/boundaryhttp://0-www.jstor.org.mercury.concordia.ca/journals/01903659.html },
author = {Yoshimoto, Mitsuhiro}
}
@book { ,
title = {Film and Phenomenology : Toward a Realist Theory of Cinematic Representation},
series = {Cambridge Studies in Film},
year = {1991},
publisher = {Cambridge University Press},
address = {Cambridge ; New York},
keywords = {Husserl, Edmund, 1859-1938., Motion pictures Philosophy., Phenomenology.},
ISBN = {0521411327},
author = {Casebier, Allan}
}
@book { ,
title = {Les Cahiers du cinéma: histoire d'une revue},
year = {1991},
publisher = {Cahiers du cinéma},
address = {Paris},
keywords = {Cahiers du cin, éma, Cin, éma - Périodiques - histoire},
ISBN = {2866421078 (t.1 : hard)2},
author = {Baecque, Antoine de}
}
@article { ,
title = {Annual Bibliography of Film Studies - 1989},
journal = {Post Script},
volume = {9},
number = {3},
year = {1990},
note = {Post script (Jacksonville, Fla.)Post script.Postscript.ill. ; 22 cm."Essays in film and the humanities."Published: Commerce, TX., Description based on surrogate; title from cover.Some issues have also distinctive titles.},
month = {Summer 1990},
pages = {56-88},
publisher = {Post Script Inc.},
chapter = {56},
address = {Jacksonville, Fla.},
keywords = {Motion picture plays History and criticism Periodicals., Electronic journals.},
ISBN = {0277-98970227-9897},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID02779897 },
author = {Telotte, J.P.}
}
@article { ,
title = {Christian Metz. Entretien},
journal = {24 Images},
number = {49},
year = {1990},
month = {Summer 1990},
pages = {63-65},
chapter = {63},
ISBN = {0707-9389},
author = {Gaudreault, André}
}
@book { ,
title = {Film Study : An Analytical Bibliography},
year = {1990},
publisher = {Fairleigh Dickinson University Press ; Associated University Presses},
address = {Rutherford; London},
keywords = {Motion pictures Bibliography., Motion pictures Study and teaching.},
ISBN = {083863186X},
author = {Manchel, Frank}
}
@book { ,
title = {Film and Television in Education : An Aesthetic Approach to the Moving Image},
series = {The Falmer Press library on aesthetic education},
year = {1990},
pages = {180},
publisher = {Falmer Press},
address = {London; New York},
keywords = {Motion pictures Study and teaching., Television broadcasting Study and teaching., Motion pictures Aesthetics., Motion pictures in education Great Britain History.},
ISBN = {1850007144},
author = {Watson, Robert}
}
@book { ,
title = {Image as Artifact : The Historical Analysis of Film and Television},
editor = {American Historical Association. Institutional Services Program},
year = {1990},
pages = {344},
publisher = {R.E. Krieger Pub. Co.},
edition = {Original},
address = {Malabar, Fla.},
keywords = {History Methodology., Motion pictures in historiography., Documentary television programs., Documentary films.},
ISBN = {0894643126},
author = {OConnor, John E.}
}
@book { ,
title = {Resisting Images : Essays on Cinema and History},
series = {Critical perspectives on the past.},
year = {1990},
publisher = {Temple University Press},
address = {Philadelphia},
keywords = {Motion pictures and history.},
ISBN = {0877227314},
author = {Sklar, Robert and Musser, Charles}
}
@article { ,
title = {The Martin Walsh Memorial Lecture. These Images Which Rain Down Into the Imaginary},
journal = {Canadian Journal of Film Studies},
volume = {1},
number = {1},
year = {1990},
pages = {1-14},
chapter = {1},
ISBN = {0847-5911},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID08475911 },
author = {Burnett, Ron}
}
@article { ,
title = {Late Show on the Telescreen: Film Studies and the Bottom Line},
journal = {Film Quarterly},
volume = {52},
number = {2},
year = {1989},
month = {Winter 1988-89},
pages = {56-60},
chapter = {56},
ISBN = {0015-1386},
author = {Kawin, Bruce F.}
}
@article { ,
title = {Disharmonie Convergence},
journal = {Jump Cut},
number = {34},
year = {1989},
month = {March 1989},
pages = {123-124},
chapter = {123},
ISBN = {0146-5546},
author = {Hess, John}
}
@article { ,
title = {Theories of Legacy, Legacies of Theory},
journal = {Quarterly Review of Film and Video},
volume = {11},
number = {2},
year = {1989},
month = {August 1989},
pages = {75-77},
chapter = {75},
ISBN = {1050-92081543-5326 (elec},
author = {Polan, Dana}
}
@article { ,
title = {Conference Reports},
journal = {Quarterly Review of Film Studies},
volume = {10},
number = {4},
year = {1989},
note = {On the sessions for the National Conference of the Society for Cinema Studies, New Orleans 1986.},
month = {April 1989},
pages = {347-380},
chapter = {347},
ISBN = {01460013},
author = {Tomasulo, Frank P.}
}
@book { ,
title = {An Introduction to Film Criticism : Major Critical Approaches to Narrative Film},
year = {1989},
publisher = {Longman},
address = {New York},
keywords = {Film criticism.},
ISBN = {0582286069},
author = {Bywater, Tim and Sobchack, Thomas}
}
@inbook { ,
title = {Historical Poetics of Cinema},
booktitle = {The Cinematic Text: Methods and Approaches},
editor = {Palmer, R. Barton},
year = {1989},
pages = {369-398},
publisher = {AMS Press},
address = {New York},
keywords = {Motion pictures., Motion picture plays History and criticism., Film criticism., Motion pictures and literature., Narration (Rhetoric)},
ISBN = {0404632033},
author = {Bordwell, David}
}
@book { ,
title = {L'Histoire du cinéma : nouvelles approches : Colloque de Cerisy},
series = {Langues et languages; 19},
year = {1989},
pages = {209},
publisher = {Publications de la Sorbonne},
address = {Paris},
abstract = { Ensemble des communications présentées lors du colloque intitulé 'Nouvelles approches de l'histoire du cinéma', 17-25 août 1985 au Centre culturel international de Cerisy-la-Salle"},
keywords = {Motion pictures History Congresses.},
ISBN = {2859441671},
author = {Aumont, Jacques and Gaudreault, André and Marie, Michel}
}
@book { ,
title = {Making Meaning : Inference and Rhetoric in the Interpretation of Cinema},
series = {Harvard film studies},
year = {1989},
pages = {334},
publisher = {Harvard University Press},
address = {Cambridge, Mass.},
keywords = {Film criticism., Motion pictures.},
ISBN = {0674543351},
author = {Bordwell, David}
}
@book { ,
title = {The Cinematic Text : Methods and Approaches},
year = {1989},
publisher = {AMS Press},
address = {New York},
keywords = {Motion pictures., Motion picture plays History and criticism., Film criticism., Motion pictures and literature., Narration (Rhetoric)},
ISBN = {0404632033},
author = {Palmer, R. Barton}
}
@article { ,
title = {The Pornographic Image and the Practice of Film Theory},
journal = {Cinema Journal},
volume = {27},
number = {2},
year = {1988},
month = {Winter 1988},
pages = {27-39},
chapter = {27},
ISBN = {0009-71011527-2087},
author = {Prince, Stephen}
}
@article { ,
title = {Annual Bibliography of Film Studies - 1987},
journal = {Post Script},
volume = {7},
number = {3},
year = {1988},
note = {Post script (Jacksonville, Fla.)Post script.Postscript.ill. ; 22 cm."Essays in film and the humanities."Published: Commerce, TX., Description based on surrogate; title from cover.Some issues have also distinctive titles.},
month = {Summer 1988},
pages = {42-65},
publisher = {Post Script Inc.},
chapter = {42},
address = {Jacksonville, Fla.},
keywords = {Motion picture plays History and criticism Periodicals., Electronic journals.},
ISBN = {0277-98970227-9897},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID02779897 },
author = {Telotte, J.P.}
}
@article { ,
title = {Politics, Film Theory and The Academy},
journal = {Journal of Film and Video},
volume = {40},
number = {2},
year = {1988},
month = {Spring 1988},
pages = {43-51},
chapter = {43},
ISBN = {0742-4671},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID07424671http://0-search.ebscohost.com.mercury.concordia.ca/direct},
author = {Lehman, Peter}
}
@article { ,
title = {Enseignement du Cinéma: Quels Films? Quels Discours? Quel Savoir?},
journal = {Positif},
number = {333},
year = {1988},
month = {Nov 1988},
pages = {55-56},
chapter = {55},
ISBN = {004849110048-4911},
author = {Audé, Françoise}
}
@book { ,
title = {Cinema and History},
series = {Contemporary Film Studies},
year = {1988},
note = {Translated (Cinéma et histoire) by Naomi Greene},
pages = {175},
publisher = {Wayne State University Press},
address = {Detroit},
keywords = {Motion pictures and history.},
ISBN = {0814319041},
author = {Ferro, Marc}
}
@book { ,
title = {French Film Theory and Criticism : A History/Anthology, 1907-1939},
year = {1988},
publisher = {Princeton University Press},
address = {Princeton, N.J.},
keywords = {Film criticism France., Motion pictures France History.},
ISBN = {0691055173},
author = {Abel, Richard}
}
@book { ,
title = {Mystifying Movies : Fads & Fallacies in Contemporary Film Theory},
year = {1988},
publisher = {Columbia University Press},
address = {New York},
keywords = {Film criticism., Motion pictures.},
ISBN = {023105954X},
author = {Carroll, Noël}
}
@book { ,
title = {The Predicament of Culture : Twentieth-Century Ethnography, Literature, and Art},
year = {1988},
publisher = {Harvard University Press},
address = {Cambridge, Mass.},
keywords = {Ethnology History 20th century., Ethnology Philosophy.},
ISBN = {0674698428},
author = {Clifford, James}
}
@book { ,
title = {The Crisis of Political Modernism : Criticism and Ideology in Contemporary Film Theory},
year = {1988},
publisher = {University of Illinois Press},
address = {Urbana},
keywords = {Film criticism.},
ISBN = {0252015339 (alk. paper)},
author = {Rodowick, David Norman}
}
@article { ,
title = {Annual Bibliography of Film Studies - 1986},
journal = {Post Script},
volume = {6},
number = {3},
year = {1987},
note = {Post script (Jacksonville, Fla.)Post script.Postscript.ill. ; 22 cm."Essays in film and the humanities."Published: Commerce, TX., Description based on surrogate; title from cover.Some issues have also distinctive titles.},
month = {Spring-Summer 19},
pages = {67-89},
publisher = {Post Script Inc.},
chapter = {67},
address = {Jacksonville, Fla.},
keywords = {Motion picture plays History and criticism Periodicals., Electronic journals.},
ISBN = {0277-98970227-9897},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID02779897 },
author = {Telotte, J.P.}
}
@article { ,
title = {Les licences et maîtrises d'Études cinématographiques et audiovisuelles},
journal = {CinémAction},
number = {45},
year = {1987},
month = {November 1987},
pages = {104-109},
chapter = {104},
author = {Martineau, Monique}
}
@article { ,
title = {Les diplômés d'université: Pis-aller ou lieux d'innovation?},
journal = {CinémAction},
number = {45},
year = {1987},
month = {Nov 1987},
pages = {110-113},
chapter = {110},
author = {Martineau, Monique}
}
@article { ,
title = {Notre école buissonnière},
journal = {CinémAction},
number = {45},
year = {1987},
month = {Nov 1987},
pages = {52-55},
chapter = {52},
author = {Oms, Marcel}
}
@article { ,
title = {German University Dissertations with Motion Picture Related Topics: 1910-1945},
journal = {Historical Journal of Film, Radio and Television},
volume = {7},
number = {2},
year = {1987},
month = {June 1987},
pages = {175-190},
chapter = {175},
ISBN = {0143-9685 (print)1465-34},
URL = {http://0-www.informaworld.com.mercury.concordia.ca/openurl.asp?genre=journal&issn=0143-9685http://0-search.ebscohost.com.mercury.concordia.ca/direct.asp?db=ufh&jid=%22HFT%22&scope=sitehttp://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.},
author = {Uricchio, William}
}
@article { ,
title = {[Review of] General Studies: The Filmology Movement and Film Study in France},
journal = {Journal of Modern Literature},
volume = {14},
number = {2-3},
year = {1987},
note = {introuvable},
month = {Fall 1987},
pages = {283},
author = {Buttel, Helen Thwaits}
}
@book { ,
title = {Philosophy of the Film : Epistemology, Ontology, Aesthetics},
year = {1987},
publisher = {Routledge & Kegan Paul},
address = {New York},
keywords = {Motion pictures Philosophy.},
ISBN = {0710210167},
author = {Jarvie, Ian C.}
}
@article { ,
title = {Annual Bibliography of Film Studies - 1985},
journal = {Post Script},
volume = {5},
number = {3},
year = {1986},
note = {Post script (Jacksonville, Fla.)Post script.Postscript.ill. ; 22 cm."Essays in film and the humanities."Published: Commerce, TX., Description based on surrogate; title from cover.Some issues have also distinctive titles.},
month = {Spring-Summer 19},
pages = {60-83},
publisher = {Post Script Inc.},
chapter = {60},
address = {Jacksonville, Fla.},
keywords = {Motion picture plays History and criticism Periodicals., Electronic journals.},
ISBN = {0277-98970227-9897},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID02779897 },
author = {Telotte, J.P.}
}
@article { ,
title = {Mass Culture and the Feminine: The 'Place' of Television in Film Studies},
journal = {Cinema Journal},
volume = {25},
number = {3},
year = {1986},
month = {Spring 1986},
pages = {5-21},
chapter = {5},
ISBN = {0009-71011527-2087},
author = {Petro, Patrice}
}
@article { ,
title = {Second International Bibliography of Theses and Dissertations on the Subject of Film Filed at Foreign Universities},
journal = {Journal of Film and Video},
volume = {38},
number = {2},
year = {1986},
month = {Spring 1986},
pages = {59-80},
chapter = {59},
ISBN = {0742-4671},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID07424671http://0-search.ebscohost.com.mercury.concordia.ca/direct},
author = {Fielding, Ray}
}
@article { ,
title = {The Critic as Consumer: Film Study in the University, Vertigo, and the Film Canon},
journal = {Film Quarterly},
volume = {39},
number = {3},
year = {1986},
month = {Spring 1986},
pages = {32-41},
chapter = {32},
ISBN = {0015-1386},
author = {Wexman, Virginia Wright}
}
@phdthesis { ,
title = {Reforming Film Study at the Level of Higher Education in Taiwan, The Republic of China},
volume = {Ph.D.},
year = {1986},
school = {Ohio State University},
address = {Columbus, Ohio},
author = {Lee, Tain-Dow}
}
@article { ,
title = {From Photoplays to Texts: Film Theory, Film Studies, and the Future},
journal = {Cinema Journal},
volume = {24},
number = {2},
year = {1985},
month = {Winter 1985},
pages = {56-61},
chapter = {56},
ISBN = {0009-71011527-2087},
author = {Lopez, Anna}
}
@article { ,
title = {The Future of Cinema Studies: A View from the Trenches},
journal = {Cinema Journal},
volume = {24},
number = {2},
year = {1985},
month = {Winter 1985},
pages = {53-55},
chapter = {53},
ISBN = {0009-71011527-2087},
URL = {http://0-muse.jhu.edu.mercury.concordia.ca/journals/cj/http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID00097101ht},
author = {Welsch, Janice R.}
}
@article { ,
title = {Film as Museum Object},
journal = {Cinema Journal},
volume = {24},
number = {4},
year = {1985},
month = {Summer 1985},
pages = {39-42},
chapter = {39},
ISBN = {0009-71011527-2087},
author = {Kuiper, J.}
}
@article { ,
title = {Annual Bibliography of Film Studies - 1984},
journal = {Post Script},
volume = {4},
number = {3},
year = {1985},
note = {Post script (Jacksonville, Fla.)Post script.Postscript.ill. ; 22 cm."Essays in film and the humanities."Published: Commerce, TX., Description based on surrogate; title from cover.Some issues have also distinctive titles.},
month = {Spring-Summer 19},
pages = {29-68},
publisher = {Post Script Inc.},
chapter = {29},
address = {Jacksonville, Fla.},
keywords = {Motion picture plays History and criticism Periodicals., Electronic journals.},
ISBN = {0277-98970227-9897},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID02779897 },
author = {Telotte, J.P.}
}
@article { ,
title = {The Politics of Film Canons},
journal = {Cinema Journal},
volume = {24},
number = {3},
year = {1985},
month = {Spring 1985},
pages = {4-23},
chapter = {4},
ISBN = {0009-71011527-2087},
URL = {http://0-muse.jhu.edu.mercury.concordia.ca/journals/cj/http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID00097101ht},
author = {Staiger, Janet}
}
@article { ,
title = {Seventh Bibliographic Survey of Theses and Dissertations on the Subject of Film Filed at US Universities, 1916-1984},
journal = {Journal of Film and Video},
volume = {37},
number = {4},
year = {1985},
month = {Fall 1985},
pages = {37-52},
chapter = {37},
ISBN = {0742-4671},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID07424671http://0-search.ebscohost.com.mercury.concordia.ca/direct},
author = {Fielding, Ray}
}
@book { ,
title = {Film History : Theory and Practice},
year = {1985},
publisher = {Knopf},
address = {New York},
keywords = {Motion pictures History., Motion picture plays History and criticism.},
ISBN = {0394350405},
author = {Allen, Robert Clyde and Gomery, Douglas}
}
@book { ,
title = {Narration in the Fiction Film},
year = {1985},
publisher = {University of Wisconsin Press},
address = {Madison, Wis.},
keywords = {Motion pictures Philosophy., Motion picture plays History and criticism.},
ISBN = {0299101703},
author = {Bordwell, David}
}
@book { ,
title = {The Filmology Movement and Film Study in France},
series = {Studies in cinema. no. 33},
year = {1985},
publisher = {UMI Research Press},
address = {Ann Arbor, Mich.},
keywords = {Motion pictures Study and teaching France History., Motion pictures Aesthetics.},
ISBN = {0835716309},
author = {Lowry, Edward}
}
@article { ,
title = {Interpretive Models and Ethical Choices: The Exemple of Film Studies},
journal = {The Journal of Aesthetic Education},
volume = {19},
number = {4},
year = {1985},
pages = {21-36},
chapter = {21},
author = {Poague, L.}
}
@article { ,
title = {Annual Bibliography of Film Studies},
journal = {Post Script},
volume = {3},
number = {3},
year = {1984},
note = {Post script (Jacksonville, Fla.)Post script.Postscript.ill. ; 22 cm."Essays in film and the humanities."Published: Commerce, TX., Description based on surrogate; title from cover.Some issues have also distinctive titles.},
month = {Spring-Summer 19},
pages = {24-54},
publisher = {Post Script Inc.},
chapter = {24},
address = {Jacksonville, Fla.},
keywords = {Motion picture plays History and criticism Periodicals., Electronic journals.},
ISBN = {0277-98970227-9897},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID02779897 },
author = {Telotte, J.P.}
}
@article { ,
title = {...At London University},
journal = {Screen},
volume = {25},
number = {4-5},
year = {1984},
month = {July-Oct 1984},
pages = {136-141},
chapter = {135},
ISBN = {0036-9543 (Print)},
author = {Stafford, Roy}
}
@article { ,
title = {At Maidstone Prison},
journal = {Screen},
volume = {25},
number = {4-5},
year = {1984},
month = {July-Oct 1984},
pages = {148-149},
chapter = {148},
ISBN = {0036-9543 (Print)},
author = {Skinner, K.}
}
@article { ,
title = {Film Studies (N.S.W.)},
journal = {Cinema Papers},
number = {44-45},
year = {1984},
month = {April 1984},
pages = {58-59},
chapter = {58},
author = {Dermody, Susan and Tulloch, John}
}
@article { ,
title = {Film Studies (Victoria)},
journal = {Cinema Papers},
number = {44-45},
year = {1984},
month = {April 1984},
pages = {59-60},
chapter = {59},
author = {Mayer, G}
}
@article { ,
title = {"Show us Life" : Toward a History and Aesthetics of the Committed Documentary},
year = {1984},
pages = {508},
publisher = {Scarecrow Press},
address = {Metuchen, N.J.},
keywords = {Documentary films History and criticism., Motion pictures Political aspects.},
ISBN = {0810817063},
author = {Waugh, Thomas}
}
@book { ,
title = {Concepts in Film Theory},
year = {1984},
pages = {239},
publisher = {Oxford University Press},
address = {Oxford; New York},
keywords = {Motion pictures Philosophy.},
ISBN = {01950339490195034287},
author = {Andrew, Dudley}
}
@article { ,
title = {Cinema Studies in the Soviet Union},
journal = {Historical Journal of Film, Radio and Television},
volume = {4},
number = {2},
year = {1984},
note = {Historical journal of film, radio, and television.Film, radio and television.26 cm.Title from cover.Some issues include microfiche supplement.},
ISBN = {0143-9685 (print)1465-34},
URL = {http://0-www.informaworld.com.mercury.concordia.ca/openurl.asp?genre=journal&issn=0143-9685http://0-search.ebscohost.com.mercury.concordia.ca/direct.asp?db=ufh&jid=%22HFT%22&scope=sitehttp://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.},
author = {Drobashenko, S}
}
@article { ,
title = {French Film Theory, 1910-1921},
journal = {Quarterly Review of Film Studies},
volume = {8},
number = {1},
year = {1983},
month = {Winter 1983},
pages = {1-23},
chapter = {1},
ISBN = {01460013},
author = {Liebman, Stuart}
}
@article { ,
title = {The National Conference of the Society for Cinema Studies},
journal = {Quarterly Review of Film Studies},
volume = {8},
number = {1},
year = {1983},
month = {Winter 1983},
pages = {79-87},
chapter = {79},
ISBN = {01460013},
author = {Giantvalley, S}
}
@article { ,
title = {Les impasses de la sémiologie},
journal = {Cinématographe},
number = {89},
year = {1983},
month = {May 1983},
pages = {64-66},
chapter = {64},
author = {Mitry, Jean}
}
@article { ,
title = {Some Reflections on Teaching Film to Postgraduate Students},
journal = {Historical Journal of Film, Radio and Television},
volume = {3},
number = {1},
year = {1983},
month = {March 1983},
pages = {76-78},
chapter = {76},
ISBN = {0143-9685 (print)1465-34},
URL = {http://0-www.informaworld.com.mercury.concordia.ca/openurl.asp?genre=journal&issn=0143-9685http://0-search.ebscohost.com.mercury.concordia.ca/direct.asp?db=ufh&jid=%22HFT%22&scope=sitehttp://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.},
author = {Porter, Vincent}
}
@inbook { ,
title = {An Open Approach to Film Study and the Situation at Iowa},
booktitle = {Film study in the undergraduate curriculum},
editor = {Grant, Barry Keith},
year = {1983},
pages = {39-48},
publisher = {Modern Language Association of America},
address = {New York},
keywords = {Motion pictures Study and teaching United States.},
ISBN = {0873523040},
author = {Andrew, Dudley}
}
@book { ,
title = {Film Study in the Undergraduate Curriculum},
series = {Options for teaching. 5},
year = {1983},
publisher = {Modern Language Association of America},
address = {New York},
keywords = {Motion pictures Study and teaching United States.},
ISBN = {0873523040},
author = {Grant, Barry Keith}
}
@article { ,
title = {French-American Literary Relationships: A Selected Checklist of Fiction, 1955-1980},
journal = {French American Review},
volume = {7},
number = {2},
year = {1983},
pages = {206-222},
chapter = {206},
author = {Stoltzfus, Ben}
}
@article { ,
title = {Lowering the Stakes: Prospects for a Historical Poetics of Cinema},
journal = {Iris},
volume = {1},
number = {1},
year = {1983},
pages = {6},
chapter = {6},
author = {Bordwell, David}
}
@article { ,
title = {Harvard Film Studies: A Review},
journal = {Film Quarterly},
volume = {35},
number = {4},
year = {1982},
month = {Summer 1982},
pages = {22-34},
chapter = {22},
ISBN = {0015-1386},
author = {Henderson, Brian}
}
@article { ,
title = {More Than Methodology},
journal = {Screen},
volume = {23},
number = {3-4},
year = {1982},
month = {Sept-Oct 1982},
pages = {122-126},
chapter = {122},
ISBN = {0036-9543 (Print)},
author = {Pollock, Griselda}
}
@article { ,
title = {Marx Without Sparks},
journal = {Films},
volume = {2},
number = {6},
year = {1982},
month = {May 1982},
pages = {8},
chapter = {8},
author = {Gage, B}
}
@book { ,
title = {The Imaginary Signifier : Psychoanalysis and the Cinema},
year = {1982},
note = {Translated (Le Signifiant imaginaire) by Celia Brittan, Annwyl Williams, Ben Brewster, Alfred Guzzetti. },
pages = {327},
publisher = {Indiana University Press},
address = {Bloomington, Ind.},
keywords = {Motion pictures Psychological aspects.},
ISBN = {0253331056},
author = {Metz, Christian}
}
@article { ,
title = {Cinéma et Histoire, Histoire et Cinéma: Quelques textes récents},
journal = {Mouvement social},
volume = {121},
number = {1},
year = {1982},
pages = {117-121},
chapter = {117},
author = {Rebérioux, Madeleine}
}
@article { ,
title = {Film and Media Studies: Reconstructing the Subject},
journal = {Film Reader},
number = {5},
year = {1982},
pages = {177-183},
ISBN = {0361722X0361-722x},
author = {Garnham, Nicholas}
}
@article { ,
title = {How Can You Take Film Seriously?},
journal = {Framework},
number = {18},
year = {1982},
pages = {16-18},
chapter = {16},
ISBN = {0306-76611559-7989 (elec},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID03067661http://0-muse.jhu.edu.mercury.concordia.ca/cgi-bin/resolv},
author = {Frayling, Christopher}
}
@article { ,
title = {Questions of Psychoanalysis},
journal = {Framework},
number = {18},
year = {1982},
pages = {19-21},
chapter = {19},
abstract = {In reviewing essays by Stephen Heath, attempts an initial assessment of aspects of film studies in UK, especially in relation to Screen.},
ISBN = {0306-76611559-7989 (elec},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID03067661http://0-muse.jhu.edu.mercury.concordia.ca/cgi-bin/resolv},
author = {Will, D.}
}
@article { ,
title = {Expanding Film Historical Discourse: Reception Theory's Use Value for Cinema Studies},
journal = {Ciné-Tracts},
volume = {4},
number = {1},
year = {1981},
month = {Spring 1981},
pages = {57-68},
chapter = {57},
ISBN = {0704016X},
author = {Rentschler, Eric}
}
@article { ,
title = {Godard et son Histoire(s) du Cinéma},
journal = {Cahiers du cinéma},
number = {327},
year = {1981},
month = {September 1981},
pages = {5-6},
ISBN = {075780750008011x},
author = {Biette, Jean-Claude}
}
@article { ,
title = {History Man Bites Lucky Jim},
journal = {Films},
volume = {1},
number = {12},
year = {1981},
month = {November 1981},
pages = {24},
author = {Durgnat, Raymond}
}
@article { ,
title = {Toward a Renewed Humanism in Film Studies},
journal = {Australian Journal of Screen Theory},
number = {9-10},
year = {1981},
pages = {87-104},
chapter = {87},
author = {Gervais, M}
}
@article { ,
title = {O systémovy pristup k vyzkumu filmového uméni (1)},
journal = {Film a Doba},
volume = {26},
number = {1},
year = {1980},
month = {January 1980},
pages = {45-49},
chapter = {45},
author = {Svoboda, Jan}
}
@book { ,
title = {A Bibliography of Theses and Dissertations on the Subject of Film 1916-1979},
year = {1979},
publisher = {University Film Association at the School of Communication University of Houston},
address = {Houston},
keywords = {Motion pictures Bibliography., Dissertations, Academic United States Bibliography., Motion pictures United States Bibliography.},
author = {Fielding, Raymond}
}
@book { ,
title = {Film Study Collections : A Guide to their Development and Use},
year = {1979},
publisher = {Ungar},
address = {New York},
keywords = {Libraries Special collections Film literature.},
ISBN = {0804420017},
author = {Allen, Nancy}
}
@inbook { ,
title = {Le texte introuvable},
booktitle = {L'analyse du film},
year = {1979},
pages = {310},
publisher = {Albatros; Calmann-Lévy},
address = {Paris},
keywords = {Motion pictures Evaluation},
ISBN = {2702124585},
author = {Bellour, Raymond}
}
@book { ,
title = {Moving Pictures : An annotated Guide to Selected Film Literature, with Suggestions for the Study of Film},
year = {1979},
pages = {146},
publisher = {A. S. Barnes},
address = {South Brunswick, N.J.},
keywords = {Motion-pictures Bibliography.},
ISBN = {0498022978},
author = {Sheahan, Eileen}
}
@article { ,
title = {Politics and Media: Film and Television for the Political Scientist and Historian Fairview Park},
year = {1979},
publisher = {Pergamon Press},
address = {New York},
author = {Clark, Michael}
}
@article { ,
title = {Criticism, Theory, and the Particular},
journal = {Film Criticism},
volume = {4},
number = {1},
year = {1979},
pages = {1-8},
chapter = {1},
ISBN = {0163-5069},
author = {Bordwell, David}
}
@article { ,
title = {The Castle on the Hill},
journal = {Take One},
volume = {6},
number = {4},
year = {1978},
month = {March 1978},
pages = {16-20},
chapter = {16},
author = {Goodwin, M}
}
@article { ,
title = {Film Criticism in the Seventies},
journal = {Film Comment},
volume = {14},
number = {1},
year = {1978},
month = {Jan-Feb 1978},
pages = {9-11},
chapter = {9},
ISBN = {0015-119x},
author = {Sarris, Andrew}
}
@article { ,
title = {Creative Remembering (And Other Perils of Film Study)},
journal = {Film Quarterly},
volume = {32},
number = {1},
year = {1978},
month = {Fall 1978},
pages = {62-65},
chapter = {62},
ISBN = {0015-1386},
author = {Kawin, Bruce F.}
}
@book { ,
title = {Clozentropy : A Technique for Studying Audience Response to Films},
series = {Dissertations on film series},
year = {1978},
publisher = {Arno Press},
address = {New York},
abstract = {Originally presented as the author's thesis, University of Iowa, 1972.},
keywords = {Motion picture audiences.},
ISBN = {0405107544},
author = {Lynch, Francis Dennis}
}
@article { ,
title = {Cinematics Model for Film Studies in Higher Education},
journal = {Film Culture},
number = {65-66},
year = {1978},
pages = {43-68},
chapter = {43},
author = {Sharits, P.}
}
@book { ,
title = {Good Looking: Film Studies, Short Films, and Filmmaking},
year = {1978},
publisher = {National Textbook Co.},
address = {Skokie, Ill.},
author = {Sohn, David}
}
@article { ,
title = {L'incandescence et le Code},
journal = {Cahiers du cinéma},
number = {274},
year = {1977},
month = {March 1977},
pages = {5-22},
chapter = {5},
ISBN = {075780750008011x},
author = {Metz, Christian}
}
@book { ,
title = {Cinéma et histoire},
series = {Bibliothèque Médiations ; 148},
year = {1977},
pages = {168},
publisher = {Denoël/Gonthier},
address = {Paris},
keywords = {Motion-picture plays History and criticism., History in art.},
author = {Ferro, Marc}
}
@book { ,
title = {Le Signifiant imaginaire : psychanalyse et cinéma},
series = {10/18, 1134},
year = {1977},
pages = {370},
publisher = {Union générale d'éditions},
address = {Paris},
keywords = {Motion pictures Psychological aspects.},
ISBN = {2264001364},
author = {Metz, Christian}
}
@book { ,
title = {Langage et cinéma},
series = {Ça/cinéma},
year = {1977},
pages = {238},
publisher = {Éditions Albatros},
edition = {Nouvelle éd. augmentée d'une postface.},
address = {Paris},
keywords = {Motion pictures Philosophy., Language and languages Philosophy.},
author = {Metz, Christian}
}
@article { ,
title = {A Year of Film Study in Paris},
journal = {Screen},
volume = {16},
number = {4},
year = {1976},
month = {Winter 1975-76},
pages = {133-139},
chapter = {133},
ISBN = {0036-9543 (Print)},
author = {Lellis, G}
}
@article { ,
title = {Cuts at the Slade},
journal = {Screen},
volume = {16},
number = {4},
year = {1976},
month = {Winter 1975-76},
pages = {131-132},
chapter = {131},
ISBN = {0036-9543 (Print)},
author = {Nash, M}
}
@article { ,
title = {Le ciné à l'amphi},
journal = {Écran},
number = {49},
year = {1976},
month = {July 1976},
pages = {5},
chapter = {5},
author = {Beylie, Claude}
}
@book { ,
title = {A Comparative Study of Selected American Film Critics, 1958-1974},
series = {Dissertations on film series.},
year = {1976},
publisher = {Arno Press},
address = {New York},
abstract = {Originally presented as the author's thesis, Bowling Green State University, 1974.},
keywords = {Film criticism United States.},
ISBN = {0405075324},
author = {Blades, Joseph Dalton}
}
@book { ,
title = {Film Appreciation},
year = {1976},
publisher = {Harcourt Brace Jovanovich},
address = {New York},
keywords = {Motion pictures Appreciation.},
ISBN = {0155273701},
author = {Casebier, Allan}
}
@book { ,
title = {The Major Film Theories : An Introduction},
year = {1976},
pages = {278},
publisher = {Oxford University Press},
address = {London ; New York},
keywords = {Motion pictures Aesthetics.},
ISBN = {0195019911},
author = {Andrew, Dudley}
}
@book { ,
title = {The Historian and Film},
year = {1976},
pages = {208},
publisher = {Cambridge University Press},
address = {Cambridge ; New York},
keywords = {Historical films., History Study and teaching Audio-visual aids., Motion pictures in historiography.},
ISBN = {0521209917},
author = {Smith, Paul}
}
@article { ,
title = {Reference Works for Film Study},
journal = {Cinema Journal},
volume = {14},
number = {2},
year = {1975},
month = {Winter 1974-75},
pages = {72-79},
chapter = {72},
ISBN = {0009-71011527-2087},
URL = {http://0-muse.jhu.edu.mercury.concordia.ca/journals/cj/http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID00097101ht},
author = {}
}
@article { ,
title = {Transcript of Discussion},
journal = {Cinema Journal},
volume = {14},
number = {2},
year = {1975},
month = {Winter 1974-75},
pages = {47-63},
chapter = {47},
ISBN = {0009-71011527-2087},
URL = {http://0-muse.jhu.edu.mercury.concordia.ca/journals/cj/http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID00097101ht},
author = {}
}
@article { ,
title = {The Film Metaphor Metaphor: The Use of Language-Based Models in Film Study},
journal = {Literature Film Quarterly},
volume = {3},
number = {2},
year = {1975},
month = {Spring 1975},
pages = {117-123},
chapter = {117},
ISBN = {0090-4260},
URL = {http://0-search.ebscohost.com.mercury.concordia.ca/direct.asp?db=ufh&jid=%22LFQ%22&scope=sitehttp://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:contents:abl_toc/Literature},
author = {Pryluck, Calvin}
}
@article { ,
title = {Core Collection; Development of Film Study Resources},
journal = {Cinema Papers},
number = {7},
year = {1975},
month = {Nov-Dec 1975},
pages = {223},
chapter = {223},
author = {Vellacott, E.R.}
}
@article { ,
title = {Constantin Fotinas à l'Université de Montréal. Une méthode ouverte pour enseigner le cinéma},
journal = {Cinéma Québec},
volume = {4},
number = {2},
year = {1975},
month = {April 1975},
pages = {42-44},
chapter = {42},
ISBN = {0319-4647},
author = {Boudreault, J.-C.}
}
@book { ,
title = {Nine American Film Critics : A Study of Theory and Practice},
year = {1975},
publisher = {Ungar},
address = {New York},
keywords = {Film criticism United States.},
ISBN = {0804426473},
author = {Murray, Edward}
}
@book { ,
title = {The Filmic Moment},
series = {Teaching American genre film through extracts},
year = {1975},
publisher = {Pflaum Pub.},
address = {Dayton, Ohio},
keywords = {Motion pictures Study and teaching United States.},
ISBN = {0827802684},
author = {Amelio, Ralph J.}
}
@article { ,
title = {Next Steps in Film History Research},
journal = {Cinema Journal},
volume = {24},
number = {2},
year = {1974},
month = {Winter 1974-1975},
pages = {37-39},
chapter = {37},
ISBN = {0009-71011527-2087},
author = {Barna, Yon}
}
@article { ,
title = {Modelli teorici e modelli critici nell'approccio al film},
journal = {Filmcritica},
volume = {25},
number = {249-250},
year = {1974},
month = {Nov-Dec 1974},
pages = {354-409},
chapter = {354},
author = {Grande, Maurizio}
}
@article { ,
title = {London Letter},
journal = {Lumière},
number = {32},
year = {1974},
month = {Mar 1974},
pages = {29-30},
chapter = {29},
author = {Ryan, Tom}
}
@book { ,
title = {Film Language; A Semiotics of the Cinema},
year = {1974},
note = {Translated (Essais sur la signification au cinéma) by Michael Taylor},
pages = {268},
publisher = {Oxford University Press},
address = {New York},
keywords = {Motion pictures Semiotics.},
author = {Metz, Christian}
}
@book { ,
title = {Language and Cinema},
series = {Approaches to semiotics, 26},
year = {1974},
note = {Translated (Langage et cinéma) by Donna Jean Umiker-Sebeok},
pages = {303},
publisher = {Mouton},
address = {The Hague},
keywords = {Motion pictures Philosophy., Language and languages Philosophy.},
author = {Metz, Christian}
}
@article { ,
title = {La critique, pourquoi faire?},
journal = {Cahiers de la cinémathèque},
number = {10-11},
year = {1973},
month = {Summer-Autumn 19},
pages = {90-97},
chapter = {90},
author = {Guibbert, P}
}
@article { ,
title = {Teaching Film - How the B.F.I. Does It},
journal = {Lumière},
number = {29},
year = {1973},
month = {Nov 1973},
pages = {33-34},
chapter = {33},
author = {Barry, G}
}
@article { ,
title = {New Technologies for the Demystification of Cinema},
journal = {Film Quarterly},
volume = {26},
number = {5},
year = {1973},
month = {Fall 1973},
pages = {42-51},
chapter = {42},
ISBN = {0015-1386},
author = {Reveaux, A}
}
@book { ,
title = {A C.S.E. Course in Film},
year = {1973},
publisher = {British Film Institute},
address = {London},
keywords = {Blackwell Secondary Modern School in Harrow, Middlesex., Motion pictures Study and teaching England.},
author = {Lusted, David}
}
@book { ,
title = {Moving Pictures; A Bibliography of Selected Reference Works for the Study of Film, with Emphasis on Holdings in the Libraries of Yale University},
series = {Bibliography Series, 3},
year = {1973},
pages = {78},
publisher = {Yale University Library},
address = {New Haven,},
keywords = {Motion pictures Bibliography.},
author = {Sheahan, Eileen}
}
@article { ,
title = {Film at Wesleyan: Library Holdings and Cinema Courses},
journal = {Film Journal},
volume = {1},
number = {3-4},
year = {1972},
month = {Fall-Winter 1972},
pages = {92-93},
chapter = {92},
ISBN = {0009-71011527-2087},
URL = {http://0-muse.jhu.edu.mercury.concordia.ca/journals/cj/http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID00097101ht},
author = {}
}
@article { ,
title = {History of Films (Harvard University has Announced the Establishment of a Program of Film Studies},
journal = {Art Journal},
volume = {32},
number = {1},
year = {1972},
month = {Fall 1972},
pages = {82},
chapter = {82},
author = {}
}
@book { ,
title = {A Curriculum in Film},
year = {1972},
publisher = {Ontario Insitute for Studies in Education},
address = {Toronto},
keywords = {Motion pictures Study and teaching Ontario.},
ISBN = {0774400668},
author = {Katz, John Stuart and Oliver, Curt and Aird, Forbes}
}
@book { ,
title = {Human Understanding},
year = {1972},
publisher = {Princeton University Press},
address = {Princeton, N.J.},
keywords = {Reason., Reasoning., Comprehension., Concepts.},
ISBN = {0691071853},
author = {Toulmin, Stephen Edelston}
}
@book { ,
title = {The Compleat Guide to Film Study},
year = {1972},
publisher = {National Council of Teachers of English},
address = {Urbana, Ill.},
keywords = {Motion pictures Study and teaching United States.},
ISBN = {0814144810 (pbk)},
author = {Poteet, G. Howard}
}
@book { ,
title = {Film in the Classroom: Why Use It, How to Use It},
year = {1971},
publisher = {Pflaum/Standard},
address = {Dayton, Ohio},
abstract = {This book is a development and extension of the Willowbrook cinema study project published by Geo. A. Pflaum (1969) "Addresses of major film distributors"},
keywords = {Motion pictures Study and teaching Illinois.},
ISBN = {0827802137},
author = {Amelio, Ralph J.}
}
@book { ,
title = {Need Johnny Read? Practical Methods to Enrich Humanities Courses Using Films and Film Study},
year = {1971},
publisher = {Pflaum},
address = {Dayton, Ohio},
keywords = {Motion pictures in education.},
author = {Goldman, Frederick and Burnett, Linda R.}
}
@book { ,
title = {Perspectives on the Study of Film},
year = {1971},
publisher = {Little Brown and Co.},
address = {Boston, Mas.},
keywords = {Motion pictures Study and teaching.},
author = {Katz, John Stuart}
}
@book { ,
title = {L'archéologie du savoir},
year = {1969},
pages = {275},
publisher = {Gallimard},
address = {Paris},
keywords = {Archaeology Methodology.},
author = {Foucault, Michel}
}
@book { ,
title = {Screen Experience: An Approach to Film},
editor = {Journalism Education Association. National Curriculum Commission},
year = {1969},
address = {Dayton, Ohio},
keywords = {Motion pictures.},
author = {Feyen, Sharon and Wigal, Donald}
}
@techreport { ,
title = {Screen Education in Canadian Schools},
year = {1969},
institution = {Canadian Education Association. Information Division},
address = {Toronto},
keywords = {Motion pictures Study and teaching Canada.},
author = {n/a}
}
@book { ,
title = {Creative Use of Films in Education ; A Case Study of an Adult Educational Program for Union Leaders},
year = {1968},
pages = {96},
publisher = {Labor Education Division Roosevelt University},
institution = {Canadian Education Association. Information Division},
address = {Chicago},
author = {Beeler, Duane and McCallister, Frank}
}
@book { ,
title = {Essais sur la signification au cinéma},
series = {Esthétique, 3, 14},
year = {1968},
publisher = {Klincksieck},
institution = {Canadian Education Association. Information Division},
address = {Paris},
keywords = {Motion pictures.},
author = {Metz, Christian}
}
@book { ,
title = {A Technological History of Motion Pictures and Television; An Anthology from the Pages of the Journal of the Society of Motion Picture and Television Engineers},
year = {1967},
publisher = {University of California Press},
institution = {Canadian Education Association. Information Division},
address = {Berkeley},
keywords = {Cinematography History., Television History.},
author = {Fielding, Raymond}
}
@book { ,
title = {Histoire du cinéma; art et industrie},
year = {1967},
publisher = {Éditions universitaires},
institution = {Canadian Education Association. Information Division},
address = {Paris},
keywords = {Motion pictures History.},
author = {Mitry, Jean}
}
@book { ,
title = {Movies: Universal Language; Film Study in High School},
year = {1967},
publisher = {Fides Publishers},
institution = {Canadian Education Association. Information Division},
address = {Notre Dame, Ind.},
keywords = {Motion pictures., Motion pictures Bibliography.},
author = {Sullivan, Bede}
}
@article { ,
title = {Film Study in Higher Education; Report of a Conference Sponsored by Dartmouth College in Association with the American Council on Education},
year = {1966},
publisher = {American Council on Education},
institution = {Canadian Education Association. Information Division},
address = {Washington},
abstract = {A report of the cooperative research project no. V-007, conducted by Dartmouth College in association with the American Council on Education and supported by the U.S. Office of Education.},
keywords = {Motion pictures Study and teaching United States.},
author = {Stewart, David C.}
}
@book { ,
title = {Talking About the Cinema : Film Studies for Young People},
year = {1966},
publisher = {British Film Institute Education Dept},
institution = {Canadian Education Association. Information Division},
address = {London},
keywords = {Motion pictures Study and teaching.},
author = {Kites, Demetrius John and Mercer, Ann}
}
@book { ,
title = {Studies in the Teaching of Film within Formal Education : Four Courses Described},
year = {1964},
pages = {107},
publisher = {British Film Institute},
institution = {Canadian Education Association. Information Division},
address = {London, Eng.},
keywords = {Motion pictures Study and teaching., Motion pictures in higher education.},
author = {Whannel, Paddy and Harcourt, Peter;}
}
@book { ,
title = {Esthétique et psychologie du cinéma},
year = {1963},
publisher = {Éditions universitaires},
institution = {Canadian Education Association. Information Division},
address = {Paris},
keywords = {Motion pictures Aesthetics., Motion pictures Psychological aspects.},
author = {Mitry, Jean}
}
@article { ,
title = {Film Study at London University},
journal = {Sight and Sound},
volume = {30},
number = {2},
year = {1961},
month = {Spring 1961},
pages = {70},
institution = {Canadian Education Association. Information Division},
chapter = {70},
ISBN = {0037-4806},
URL = {http://0-gateway.proquest.com.mercury.concordia.ca/openurl?ctx_ver=z39.88-2003&res_dat=xri:pqil:res_ver=0.2&rft_val_fmt=ori:fmt:kev:mtx:journal&res_id=xri:iimp&rft_id=xri:iipaft:ajournal:JID00374806 },
author = {}
}
@book { ,
title = {L'éducation cinématographique},
series = {Presse, le film et la radio dans le monde d'aujourd'hui},
year = {1961},
publisher = {Unesco},
institution = {Canadian Education Association. Information Division},
address = {Paris},
keywords = {Motion pictures Study and teaching.},
author = {Peters, Jan Marie Lambert}
}
@book { ,
title = {Collected Papers},
editor = {Hartshorne, Charles; Weiss, Paul},
year = {1960},
publisher = {Belknap Press of Harvard University Press},
institution = {Canadian Education Association. Information Division},
address = {Cambridge},
keywords = {Philosophy.},
author = {Peirce, Charles S.}
}
@techreport { ,
title = {Film and Cinema Statistics; A Preliminary Report on Methodology with Tables Giving Current Statistics},
year = {1955},
note = {tables. --Includes summaries in French and Spanish.},
pages = {111},
institution = {Unesco - Statistical Division},
address = {Paris},
keywords = {Motion picture industry Statistics.},
author = {}
}
@book { ,
title = {Sociology of Film; Studies and Documents},
year = {1948},
pages = {328},
publisher = {Faber and Faber limited; Arno Press},
institution = {Unesco - Statistical Division},
address = {London; New York},
keywords = {Motion pictures Social aspects.},
author = {Mayer, J. P.}
}