@article { ,
	title = {Film Studies : Critical Approaches},
	year = {2000},
	publisher = {Oxford University Press},
	address = {Oxford; New York},
	abstract = {General introduction / John Hill -- 1. Introduction to film studies / Richard Dyer -- 2. The film text and film form / Robert P. Kolker -- 3. Film acting / Paul McDonald -- 5. Film costume / Paula Church Gibson -- 5. Film music / Claudia Gorbman -- 6. Classic film theory and semiotics / Antony Easthope -- 7. Formalism and neo-formalism / Ian Christie -- 8. Impressionism, surrealism, and film theory / Robert B. Ray -- 9. Film and psychoanalysis / Barbara Creed -- 10. Post-structuralism and deconstruction / Peter Brunette -- 11. Film and postmodernism / John Hill -- 12. Marxism and film / Chuck Kleinhans -- 13. Feminism and film / Patricia White -- 14. Gay and lesbian criticism / Anneke Smelik -- 15. Queer theory / Alexander Doty -- 16. Pornography / Laura Kipnis -- 17. Race, ethnicity, and film / Robyn Wiegman -- 18. Film and cultural identity / Rey Chow -- 19. Film and history / Dudley Andrew -- 20. Sociology and film / Andrew Tudor -- 21. Cultural studies and film / Graeme Turner -- 2. Film audiences / Jostein Gripsrud -- 23. Hermeneutics, reception aesthetics, and film interpretation / Noel King -},
	keywords = {Film criticism., Motion pictures History.},
	ISBN = {0198742800},
	author = {Hill, John and Gibson, Pamela Church and Dyer, Richard and Kaplan, E. Ann and Willemen, Paul}
}