Biblio

Exporter 398 resultats:
2006
J. Clifford, Morphy, H., et Perkins, M., The Anthropology of Art : A Reader. Malden, MA ; Oxford: Blackwell Pub., 2006.
B. Klinger, Beyond the Multiplex : Cinema, New Technologies, and the Home. Berkeley: University of California Press, 2006.
T. Wood, « Celluloid and Plasma [Book Review of Laura Mulvey's Death 24x] », New Left Review, p. 141-148, 2006.
C. Keathley, Cinephilia and History, or, the Wind in the Trees. Bloomington: Indiana University Press, 2006.
S. Zielinski, Deep time of the media : toward an archaeology of hearing and seeing by technical means. Cambridge: MIT Press, 2006, p. 375.
R. Maule, « The Dialectics of Trans-national Identity and Female Desire in the Films of Claire Denis », in Remapping World Cinema: Identity, Culture and Politics in Film, S. H. Dennison, Stephanie; Lim LondonNew York: Wallflower Press, 2006, p. 73-85.
R. Maule, « Du côté d'Europa, Via Asia: the Post-Hollywood Besson », in The Films of Luc Besson: Master of Spectacle, P. Hayward, Susan; Powrie Manchester, UK: Manchester University Press, 2006.
W. Fisher et Harlow, J., « Film and Media Studies and the Law of the DVD », Cinema Journal, vol. 45, p. 118-124, 2006.
L. Mannoni, Histoire de la cinémathèque française. Paris: Gallimard, 2006, p. 507.
W. H. K. Chun et Keenan, T., New Media, Old Media : A History and Theory Reader. New York: Routledge, 2006, p. 418.
A. Casebier, A New Theory in the Philosophy and History of Three Twentieth-Century Styles in Art : Modernism, Postmodernism, and Surrealism. Lewiston, N.Y.: Edwin Mellen Press, 2006.
2005
L. Cubbison, « Anime Fans, DVDs, and the Authentic Text », The Velvet Light Trap, p. 45-47, 2005.
J. Kendrick, « Aspect Ratios and Joe Six-Packs: Home Theater Enthusiasts' Battle to Legitimize the DVD Experience », The Velvet Light Trap, p. 58-70, 2005.
M. De Valck et Hagener, M., « Cinephilia: Movies, Love, and Memory », p. 236, 2005.
R. A. Brookey et Westerfelhaus, R., « The Digital Auteur: Branding Identity on the Monsters, Inc. DVD », Western Journal of Communication, vol. 69, p. 109-128, 2005.
A. Barlow, The DVD Revolution : Movies, Culture, and Technology. Westport, Conn.: Praeger, 2005.
D. Parker et Parker, M., « DVDs and the Director's Intentions », in The Philosophy of Film. Introductory Text and Readings, A. Wartenberg, Thomas; Curran Malden, Mass.: Blackwell, 2005, p. 123-133.
J. Pidduck, La reine Margot. Urbana: University of Illinois Press, 2005.
C. Hight, « Making-of Documentaries on DVD: The Lord of the Rings Trilogy and Special Editions », The Velvet Light Trap, p. 4-17, 2005.
H. Wasson, Museum Movies : The Museum of Modern Art and the Birth of Art Cinema. Berkeley: University of California Press, 2005, p. 314.
T. E. Wartenberg et Curran, A., « The Philosophy of Film : Introductory Text and Readings », p. 308, 2005.
N. Carroll, « Unwrapping Archives : DVD Restorations and the Marketing of Authenticity », The Velvet Light Trap, p. 18-31, 2005.
J. T. Caldwell, « Welcome to the Viral Future of Cinema », Cinema Journal, vol. 45, p. 90-97, 2005.

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