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Jason Mittell's talk

Conférence
Vendredi, Octobre 30, 2015 - 16:00

Our contemporary media landscape might be called the era of heightened seriality. In this talk, Professor Jason Mittell explores how serial storytelling has pervaded both film and television narrative, considering what formal elements define contemporary seriality, and how seriality is forged by industrial and viewing practices.

Conférence de Sarah Cooper

Conférence
Vendredi, Mars 20, 2015 - 16:00

From the mid-1940s, when Maurice Merleau-Ponty gave a lecture on film at the Institut des hautes études cinématographiques in Paris, which was subsequently published as ‘Le Cinéma et la nouvelle psychologie’ (‘Cinema and the New Psychology’), film scholars have shown a keen interest in the relationship between his philosophy and cinema.

Conférence de Jacques Aumont

Conférence
Vendredi, Mars 13, 2015 - 16:00

In most cases, to film (the act of filming something) implies capturing an event which actually takes place, in order to create an image of this event – faithful or not, altered or not, but always referring to it. We all know the momentous importance that the history of film theory has assigned to this conservation of the filmed event, in a filmic work that would perpetuate its memory.

Conférence de Eugenie Brinkema

Conférence
Vendredi, Février 13, 2015 - 16:00

This talk contemplates the figure of enchainment in one of the more graphic films of contemporary horror and exploitation cinema, Tom Six’s The Human Centipede (2009), which literalizes intolerable fastening, an anxiety of overclose touching, in the conceit of its title—a cruel violence in which three bodies are sewn to each other, mouth to anus.

Conférence de Martin Barnier

Conférence
Vendredi, Janvier 30, 2015 - 16:00

In considering why it took so long for cinema to acquire sound it is important to compare between different historical periods. The slow-paced evolution of film sound (this was everything but a revolution) is not well known or documented in good measure because few people know just how diverse the environments for film screenings were during the first 30 years of cinema.

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