| Title | Sure Seaters : The Emergence of Art House Cinema |
| Publication Type | Book |
| Year of Publication | 2001 |
| Authors | Wilinsky, B |
| Series Title | Commerce and Mass Culture Series |
| Number of Pages | 178 |
| Publisher | University of Minnesota Press |
| City | Minneapolis |
| Keywords | Experimental films United States., Foreign films United States., Motion picture theaters United States. |
| Abstract |
Introduction. The Image of Culture: Art Houses and Film Exhibition – 1. Reading for Maximum Ambiguity: A Consideration of the Art Film – 2. Around the Corner from the Big Top: Contextualizing the Postwar Art House – 3. Limited Audience Appeal: Shaping the Art House Industry – 4. "Any Leisure That Looks Easy Is Suspect": Art House Audiences and the Search for Distinction – 5. "Demitasse Intermissions and Lobbies Hung with Paintings": The Techniques of Running an Art House – Conclusion. Ranges of Difference: Alternative Cultures in a Commercial Industry. |
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