Arthemis
is pleased to present a lecture with
Dr. Karl Sierek
Friedrich Schiller University of Jena
Jean Mitry: Between Phenomenology and Film Analysis
Conférences
Philip Rosen : l'illusion aujourd'hui
04/01/2011 - 16:00
The Advanced Research Team on the History and Epistemology of Moving Image Studies is pleased to present a lecture with
Philip Rosen (Brown University)
Illusion Now
Guins sur la muséologie des Jeux vidéos
03/25/2011 - 16:00
The Advanced Research Team on the History and Epistemology of Moving Image Studies is pleased to present a lecture with
Raiford Guins
Digital Cultural Studies
State University of New York
Space Invaders Behind Glass and Baer in a Box: The Museology of Videogames
Yuri Tsivian on Cinemetrics
03/18/2011 - 16:00
Arthemis is pleased to present a lecture with
Yuri Tsivian
(University of Chicago)
Le téléspectateur à l’ère du numérique
02/11/2011 - 16:00
The Advanced Research Team on the History and Epistemology of Moving Image Studies is pleased to present a lecture with
François Jost
Sorbonne Nouvelle Paris III
Centre d’Etudes sur l’Image et le Son Médiatiques (CEISME)
The Life of Movement : From Microcinematography to Live Cell Imaging
01/21/2011 - 16:00
The Advanced Research Team on History and Epistemology of Moving Image Studies
is pleased to present a lecture with
Hannah Landecker
Associate Professor
Center for Society and Genetics
and the Department of Sociology
UCLA
Modernité et archaïsme dans la Nouvelle vague
02/12/2010 - 16:30
The Office of the Vice President of Research and Graduate Studies
ARTHEMIS and
Le département de communication de l’Université de Montréal
are pleased to present a public lecture with
Geneviève Sellier
Université de Caen
Modernity and archaïsm in the New Wave
Cinephilia’s Missing Term : Découpage
02/05/2010 - 16:30
ARTHEMIS
is pleased to present a public lecture with
Christian Keathley
Middlebury College
Cinephilia’s Missing Term : Découpage
Though it is prominent in French film criticism, the term découpage (unlike its corollary, mise-en-scene) effectively does not exist in English language film criticis