Conférences

Jean Mitry : Between Phenomenology and Film Analysis
05/01/2012 - 14:00

Arthemis

is pleased to present a lecture with

Dr. Karl Sierek

Friedrich Schiller University of Jena

Jean Mitry: Between Phenomenology and Film Analysis

Philip Rosen : l'illusion aujourd'hui
04/01/2011 - 16:00

The Advanced Research Team on the History and Epistemology of Moving Image Studies is pleased to present a lecture with

Philip Rosen (Brown University)

Illusion Now

Guins sur la muséologie des Jeux vidéos
03/25/2011 - 16:00

The Advanced Research Team on the History and Epistemology of Moving Image Studies is pleased to present a lecture with

Raiford Guins
Digital Cultural Studies
State University of New York


Space Invaders Behind Glass and Baer in a Box: The Museology of Videogames

Yuri Tsivian on Cinemetrics
03/18/2011 - 16:00

Arthemis is pleased to present a lecture with 

Yuri Tsivian

(University of Chicago)

Le téléspectateur à l’ère du numérique
02/11/2011 - 16:00

The Advanced Research Team on the History and Epistemology of Moving Image Studies is pleased to present a lecture with

François Jost
Sorbonne Nouvelle Paris III
Centre d’Etudes sur l’Image et le Son Médiatiques (CEISME)

The Life of Movement : From Microcinematography to Live Cell Imaging
01/21/2011 - 16:00

The Advanced Research Team on History and Epistemology of Moving Image Studies
is pleased to present a lecture with

Hannah Landecker
Associate Professor
Center for Society and Genetics
and the Department of Sociology
UCLA

Modernité et archaïsme dans la Nouvelle vague
02/12/2010 - 16:30

The Office of the Vice President of Research and Graduate Studies
ARTHEMIS and
Le département de communication de l’Université de Montréal
are pleased to present a public lecture with

Geneviève Sellier
Université de Caen

Modernity and archaïsm in the New Wave

Cinephilia’s Missing Term : Découpage
02/05/2010 - 16:30
ARTHEMIS
is pleased to present a public lecture with
 
Christian Keathley
Middlebury College
 
Cinephilia’s Missing Term : Découpage

Though it is prominent in French film criticism, the term découpage (unlike its corollary, mise-en-scene) effectively does not exist in English language film criticis

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